| Move me, astonish me… delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective … M Pelowski, PS Markey, M Forster, G Gerger, H Leder Physics of Life Reviews 21, 80-125, 2017 | 417 | 2017 |
| It felt fluent, and I liked it: subjective feeling of fluency rather than objective fluency determines liking. M Forster, H Leder, U Ansorge Emotion 13 (2), 280, 2013 | 164 | 2013 |
| Beyond the lab: an examination of key factors influencing interaction with ‘real’and museum-based art. M Pelowski, M Forster, PPL Tinio, M Scholl, H Leder Psychology of Aesthetics, Creativity, and the Arts 11 (3), 245, 2017 | 149 | 2017 |
| Image ambiguity and fluency M Jakesch, H Leder, M Forster PLoS One 8 (9), e74084, 2013 | 127 | 2013 |
| The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge. E Specker, M Forster, H Brinkmann, J Boddy, M Pelowski, R Rosenberg, ... Psychology of Aesthetics, Creativity, and the Arts 14 (2), 172, 2020 | 120 | 2020 |
| Private and shared taste in art and face appreciation H Leder, J Goller, T Rigotti, M Forster Frontiers in Human Neuroscience 10, 155, 2016 | 91 | 2016 |
| The glasses stereotype revisited H Leder, M Forster, G Gerger Swiss Journal of Psychology, 2011 | 88 | 2011 |
| Exploring the subjective feeling of fluency M Forster, H Leder, U Ansorge Experimental Psychology, 2016 | 66 | 2016 |
| Well, if they like it... Effects of social groups’ ratings and price information on the appreciation of art. JO Lauring, M Pelowski, M Forster, M Gondan, M Ptito, R Kupers Psychology of Aesthetics, Creativity, and the Arts 10 (3), 344, 2016 | 50 | 2016 |
| Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation CC Carbon, SJ Faerber, G Gerger, M Forster, H Leder International Journal of Design 7 (2), 2013 | 34 | 2013 |
| Face inversion increases attractiveness H Leder, J Goller, M Forster, L Schlageter, MA Paul Acta psychologica 178, 25-31, 2017 | 30 | 2017 |
| Warm, lively, rough? Assessing agreement on aesthetic effects of artworks E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ... PLoS One 15 (5), e0232083, 2020 | 28 | 2020 |
| Everything’s relative? Relative differences in processing fluency and the effects on liking M Forster, G Gerger, H Leder Plos One 10 (8), e0135944, 2015 | 26 | 2015 |
| It felt fluent but I did not like it: Fluency effects in faces versus patterns G Gerger, M Forster, H Leder Quarterly Journal of Experimental Psychology 70 (4), 637-648, 2017 | 25 | 2017 |
| Does gallery lighting really have an impact on appreciation of art? An ecologically valid study of lighting changes and the assessment and emotional experience with … M Pelowski, A Graser, E Specker, M Forster, J von Hinüber, H Leder Frontiers in Psychology 10, 2148, 2019 | 18 | 2019 |
| Do I really feel it? The contributions of subjective fluency and compatibility in low-level effects on aesthetic appreciation M Forster, W Fabi, H Leder Frontiers in human neuroscience 9, 373, 2015 | 18 | 2015 |
| On the mutual relation between art experience and viewing time. D Brieber, M Forster, H Leder Psychology of Aesthetics, Creativity, and the Arts 14 (2), 197, 2020 | 17 | 2020 |
| Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task J Pietschnig, G Gittler, S Stieger, M Forster, N Gadek, A Gartus, ... PLoS One 13 (9), e0202873, 2018 | 11 | 2018 |
| The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment. M Pelowski, G Cabbai, H Brinkmann, J Mikuni, LM Hegelmaier, M Forster, ... Psychology of Aesthetics, Creativity, and the Arts, 2020 | 8 | 2020 |
| Processing fluency M Forster The Oxford handbook of empirical aesthetics, 430, 2022 | 5 | 2022 |
