| The publication of No-body and Some-body: humanism, history and economics in the early Jacobean public theatre A Archdeacon Early Modern Literary Studies 16 (1), 16-1, 2012 | 10 | 2012 |
| Somebody and Nobody: the Authorial Identity of the Player-Playwright-Poet in the Early Modern Theatre A Archdeacon Authorship 5 (2), 2016 | 5 | 2016 |
| The ‘Nothing’Trope: Self‐Worth in Renaissance Poetry A Archdeacon Literature Compass 11 (8), 549-559, 2014 | 3 | 2014 |
| From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature A Archdeacon Routledge, 2021 | 2 | 2021 |
| All about nothing: cross-disciplinary academic discussions of nihil in the seventeenth century A Archdeacon The Seventeenth Century 35 (2), 141-161, 2020 | 2 | 2020 |
| Ovid’s Echo and Narcissus Myth in English Petrarchan Poetry A Archdeacon Early Modern Literary Studies 20 (1), 2018 | 1 | 2018 |
| Poisonous Intent, or How to get away with attempted murder on the early modern stage A Archdeacon Poison on the early modern English stage, 320, 2023 | | 2023 |
| Complete works? Thomas Watson’s authorship of Tears of Fancie A Archdeacon Philological Quarterly 101 (4), 247-257, 2022 | | 2022 |
| REAL-TIME COLLABORATION ONLINE IN THE CLASSROOM FOR ACTIVE MODELLING OF ACADEMIC WRITING A Archdeacon EDULEARN16 Proceedings, 4022-4030, 2016 | | 2016 |
| 'Things which are not': Poetic and Scientific Attitudes to Non-entities in the Seventeenth Century A Archdeacon The arts of 17th-century science, 25-42, 2002 | | 2002 |
