| The Future is a Fairground: Attraction and Absorption in 3D Cinema C Moulton CineAction, 4-13, 2013 | 14 | 2013 |
| ‘Announcement’ trailers and the inter-temporality of Hollywood blockbusters C Moulton International Journal of Cultural Studies, 1367877918794686, 2019 | 12 | 2019 |
| Midnight in Middle Earth: blockbusters and opening-night culture C Moulton New Review of Film and Television Studies 12 (4), 357-379, 2014 | 5 | 2014 |
| Watch, Go, Now: "TV Everywhere" and The Promotion of Liveness C Moulton The Popular Culture Studies Journal 7 (1), 17-35, 2019 | 4 | 2019 |
| "Welcome (Or Stay At) Home": Theme Parks and COVID-19 C Moulton In Media Res, 2020 | 3 | 2020 |
| Pay (to pay) to play: drillable immersion at transmedia theme parks C Moulton Communication, Culture & Critique 15 (4), 479-488, 2022 | 2 | 2022 |
| “Only in theaters” in an on-demand culture: Event movies as media events C Moulton Popular Communication 20 (4), 305-323, 2022 | 2 | 2022 |
| Having an Experience: Media Franchises, Events, and Participatory Culture C Moulton Northwestern University, 2022 | 2 | 2022 |
| Midnight movies C Moulton The Routledge Companion to Cult Cinema, 203-214, 2019 | 2 | 2019 |
| On the Importance of Community and Belonging C Moulton The Journal of Cinema and Media Studies 62 (8), 2022 | | 2022 |
| Owning A Future/Past Elsewhere: On Special Features C Moulton Media Fields Journal 10, 1-12, 2015 | | 2015 |
| Joywheels and Gyrations: Amusement Park Sequences in Late Silent-Era Films C Moulton CineAction, 4-12, 2014 | | 2014 |
