| Blackout: World War II and the Origins of Film Noir SC Biesen Baltimore: The Johns Hopkins University Press, 2005 | 213 | 2005 |
| Netflix nostalgia: Streaming the past on demand SC Biesen, P Campbell, M Castellano, A Davis, P Gauthier, P Maganzani, ... Rowman & Littlefield, 2019 | 52 | 2019 |
| The Historian, Television and Television History: A Collection G Roberts, PM Taylor, N Pronay Indiana University Press, 2001 | 49 | 2001 |
| The Gangster Film Reader Hal Leonard Corporation, 2008 | 31* | 2008 |
| Music in the Shadows: Noir Musical Films SC Biesen Baltimore: The Johns Hopkins University Press, 2014 | 22 | 2014 |
| Binge Watching ‘Noir’ at Home: Reimagining Cinematic Reception and Distribution via Netflix SC Biesen The Netflix Effect: Technology and Entertainment in the 21st Century, 2016 | 16 | 2016 |
| Psychology in American Film Noir and Hitchcock's Gothic Thrillers SC Biesen Americana: The Journal of American Popular Culture 13 (1), 2014 | 12 | 2014 |
| Censorship, Film Noir, and Double Indemnity (1944) SC Biesen Film & History: An Interdisciplinary Journal of Film and Television Studies …, 1995 | 11 | 1995 |
| Film Censorship: Regulating America's Screen SC Biesen Columbia University Press, 2018 | 10 | 2018 |
| Joan Harrison, Virginia Van Upp and women behind-the-scenes in wartime film noir S Chinen Biesen Quarterly Review of Film & Video 20 (2), 125-144, 2003 | 9 | 2003 |
| Manufacturing Heroines: Gothic Victims and Working Women in Classic Noir Films SC Biesen Film Noir Compendium, 2016 | 7* | 2016 |
| Manufacturing Heroines: Gothic Victims and Working Women in Classic Noir Films SC Biesen Film Noir Reader 4, 161-173, 2004 | 7 | 2004 |
| Raising Cain with the Censors, Again: The Postman Always Rings Twice (1946) SC Biesen Literature Film Quarterly 28 (1), 41-48, 2000 | 7 | 2000 |
| Netflix’s Changing Cinematic Nostalgia from Classic Films to Long-Form Original Programs SC Biesen Netflix Nostalgia: Streaming the Past on Demand, 41, 2019 | 6 | 2019 |
| Blackout SC Biesen Johns Hopkins University Press, 2005 | 4 | 2005 |
| Haunting Landscapes in “Female Gothic” Thriller Films: From Alfred Hitchcock to Orson Welles SC Biesen Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties, 47-69, 2016 | 3 | 2016 |
| Joseph H. Lewis and the Changing Noir Vision of American Culture From Gothic Heroines to Cold War Gangsters SC Biesen Interdisciplinary Humanities, 2016 | 3 | 2016 |
| Hitchcock From UK to US: Jamaica Inn, Rebecca, Suspicion SC Biesen Film and Literary Modernism, 2013 | 2 | 2013 |
| Reforming Hollywood Gangsters: Crime and Morality from Populism to Patriotism SC Biesen Gangster Film Reader, 259-76, 2008 | 2 | 2008 |
| Global Narrative and Exile Culture in Hawaii Five-0 SC Biesen The Historian, Television and Television History: A Collection, 77, 2001 | 2 | 2001 |
