| Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond D Andrews University of Texas Press, 289, 2013 | 114* | 2013 |
| Soft in the Middle: The Contemporary Softcore Feature in its Contexts D Andrews Ohio State University Press, 2006 | 75 | 2006 |
| Toward A More Valid Definition of “Pornography” D Andrews The Journal of Popular Culture 45 (3), 457-477, 2012 | 42 | 2012 |
| Art Cinema as Institution, Redux D Andrews Scope 18, 2010 | 34* | 2010 |
| Aestheticism, Nabokov, and "Lolita" D Andrews Edwin Mellen Press, 1999 | 31 | 1999 |
| An Oneiric Fugue: The Various Logics of "Mulholland Drive" D Andrews Journal of Film and Video 56 (1), 25-40, 2004 | 30 | 2004 |
| Sex is dangerous, so satisfy your wife: The softcore thriller in its contexts D Andrews Cinema Journal, 59-89, 2006 | 27 | 2006 |
| Toward An Inclusive, Exclusive Approach to "Art Cinema" D Andrews Global Art Cinema: New Theories and Histories, 62-74, 2010 | 20 | 2010 |
| What soft-core can do for porn studies D Andrews The Velvet Light Trap 59 (1), 51-61, 2007 | 17 | 2007 |
| No Start, No End: Auteurism and the Auteur Theory D Andrews Film International 12 (6), 37-55, 2013 | 16 | 2013 |
| Film Studies and The Biocultural Turn D Andrews, C Andrews Philosophy and Literature 36 (1), 58-78, 2012 | 15 | 2012 |
| "The Art is the Act of Smashing the Mirror": A Conversation with Gilbert Sorrentino D Andrews, G Sorrentino The Review of Contemporary Fiction 21 (3), 60-68, 2001 | 13* | 2001 |
| Vonnegut and Aesthetic Humanism D Andrews At Millennium's End: New Essays on the Work of Kurt Vonnegut, 17-47, 2001 | 12 | 2001 |
| The rape-revenge film: biocultural implications D Andrews Jump Cut: A Review of Contemporary Media 54, 2012 | 11 | 2012 |
| Convention and Ideology in the Contemporary Softcore Feature: The Sexual Architecture of "House of Love" D Andrews The Journal of Popular Culture 38 (1), 5-33, 2004 | 10 | 2004 |
| Varieties of Determinism: Nabokov among Rorty, Freud, and Sartre D Andrews Nabokov Studies 6, 1-33, 2001 | 7 | 2001 |
| Revisiting "The Two Avant-Gardes" D Andrews Jump Cut 52, 2010 | 6 | 2010 |
| Reframing "Standard Operating Procedure": Errol Morris and the creative treatment of Abu Ghraib D Andrews Jump Cut 52, 2010 | 5 | 2010 |
| Softcore as Serialized (and Feminized) Featurette D Andrews Television & New Media 8 (4), 312-340, 2007 | 5 | 2007 |
| "Benito Cereno”: No Charity On Earth, Not Even At Sea D Andrews Leviathan 2 (1), 83-103, 2000 | 5 | 2000 |
