| Multiband dynamic range control graphical interface JC Dubowsky US Patent 7,813,825, 2010 | 22 | 2010 |
| Intersecting film, music, and queerness JC Dubowsky Springer, 2016 | 18 | 2016 |
| The evolving'temp score'in animation JC Dubowsky Music, Sound, and the Moving Image 5 (1), 1-24, 2011 | 14 | 2011 |
| Easy Listening and Film Scoring 1948-78 JC Dubowsky Routledge, 2021 | 4 | 2021 |
| Musical cachet in new queer cinema J Dubowsky Music, Sound, and the Moving Image 8 (1), 25-56, 2014 | 4 | 2014 |
| A Tale of Two Walters: Genre and Gender Outsiders JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 105-130, 2016 | 1 | 2016 |
| Composing for Silent Film JC Dubowsky Taylor & Francis, 2024 | | 2024 |
| 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL JC Dubowsky Contemporary Musical Film, 40, 2017 | | 2017 |
| Louisiana Story, Homoeroticism, and Americana JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 19-49, 2016 | | 2016 |
| Blazing Saddles: Music and Meaning in ‘The French Mistake’ JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 208-223, 2016 | | 2016 |
| Mainstreaming and Rebelling JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 131-169, 2016 | | 2016 |
| Queer Monster Good: Frankenstein and Edward Scissorhands JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 173-207, 2016 | | 2016 |
| Musical Cachet in The Living End and the New Queer Cinema JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 50-79, 2016 | | 2016 |
| Brokeback Mountain Music JC Dubowsky, JC Dubowsky Intersecting Film, Music, and Queerness, 80-101, 2016 | | 2016 |
| Submerged Queer Spaces: Audio Poiesis and Documentary Film JC Dubowsky | | |
