| “We shouldn't have to trend to make you listen”: Queer Fan Hashtag Campaigns as Production Interventions A Navar-Gill, M Stanfill Journal of Film and Video 70 (3-4), 85-100, 2018 | 51 | 2018 |
| From strategic retweets to group hangs: Writers’ room Twitter accounts and the productive ecosystem of TV social media fans A Navar-Gill Television & New Media 19 (5), 415-430, 2018 | 32 | 2018 |
| The golden ratio of algorithms to artists? Streaming services and the platformization of creativity in American television production A Navar-Gill Social Media+ Society 6 (3), 2056305120940701, 2020 | 17 | 2020 |
| Fandom as symbolic patronage: expanding understanding of fan relationships with industry through the Veronica Mars Kickstarter campaign A Navar-Gill Popular Communication 16 (3), 211-224, 2018 | 12 | 2018 |
| The fan/creator alliance: Social media, audience mandates, and the rebalancing of power in studio-showrunner disputes A Navar-Gill Media Industries Journal 5 (2), 2018 | 10 | 2018 |
| Knowing the audience in the information age: big data and social media in the US television industry A Navar-Gill Companion of the 2017 ACM Conference on Computer Supported Cooperative Work …, 2017 | 6 | 2017 |
| TWEETING@ THEWRITERSROOM: MAPPING THE TELEVISION INDUSTRY'S IDEAL FAN THROUGH WRITERS'ROOM TWITTER ACCOUNTS A Navar-Gill AoIR Selected Papers of Internet Research, 2015 | 1 | 2015 |
| Always Already Intersectional: Introducing Intersectionality in Large Lecture Courses N Hentrich, A Navar-Gill Teaching Media Quarterly 6 (2), 2018 | | 2018 |
