| The act of being saved: Hell House and the salvific performative H Willenbrink theatre journal, 73-92, 2014 | 9 | 2014 |
| Capitalizing on post-hipster cool: The music that makes Girls H Willenbrink HBO’s Girls and the Awkward Politics of Gender, Race, and Privilege …, 2015 | 4 | 2015 |
| The Geography of Disappearing: Meatyard, Butchertown, and Perspective in Naomi Iizuka’s At the Vanishing Point H Willenbrink Contemporary Theatre Review 24 (2), 209-228, 2014 | 3 | 2014 |
| Vessel, Messiah, Warrior: Donald Trump in Evangelical Christian Narratives H Willenbrink Ecumenica: Performance and Religion 14 (2), 221-247, 2021 | 2 | 2021 |
| PALABRAS Y Silva, H Willenbrink Lulu. com, 2013 | 1 | 2013 |
| Scaring the Jesus into you: American Hell Houses in performance RH Willenbrink III University of California, Santa Barbara, 2009 | 1 | 2009 |
| Highlights from ATHE 2020: Playwrights and Creative Teams Focus Group: Is There an Aesthetics of Playwriting? Or Why Don't We Talk about How Beautiful Our Plays Are Anymore? AC Carneiro, H Willenbrink Theatre Topics 31 (1), E-3-E-4, 2021 | | 2021 |
| IF IT WALKS LIKE HAMLET: THE ASSEMBLY'S SEAGULLMACHINE H Willenbrink TheatreForum, 25-31, 2018 | | 2018 |
| Contemporary Catalan Women Playwrights: Àngels Aymar, Marta Buchaca, Clàudia Cedó, Cristina Clemente, Lluïsa Cunillé, Daniela Fexias, Elisenda Guiu, Gemma Rodríguez, Mercè … Y Silva, H Willenbrink Letras Femeninas 43 (2), 191-196, 2018 | | 2018 |
| Playing God: The Bible on the Broadway Stage H Willenbrink The Theatre Annual 69, 100, 2016 | | 2016 |
| PREACHING TO CONVERT: EVANGELICAL OUTREACH AND PERFORMANCE ACTIVISM IN A SECULAR AGE H Willenbrink Theatre Journal 67 (1), 160-162, 2015 | | 2015 |
| the fantastical reality in pinkolandia H Willenbrink TheatreForum, 3, 2014 | | 2014 |
