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Florian Carl
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Was bedeutet uns Afrika?: zur Darstellung afrikanischer Musik im deutschsprachigen Diskurs des 19. und frühen 20. Jahrhunderts
F Carl
LIT Verlag Münster, 2004
30*2004
Music, Ritual, and Media in Charismatic Religious Experience in Ghana
F Carl
Singing a New Song: Christian Congregational Music Making and Community in a …, 2015
18*2015
From Burger Highlife to Gospel Highlife: Music, Migration, and the Ghanaian Diaspora
F Carl
The Globalization of Musics in Transit: Music Migration and Tourism, ed …, 2014
142014
The Ritualization of the Self in Ghanaian Gospel Music
F Carl
Ghana Studies 17 (1), 101-129, 2014
142014
Never go back: Ghanaian Gospel Music, Born-Again Christianity, and the Nonconformity of the Ethnographer
F Carl
Norient Academic Online Journal 1, 2012
122012
Music and Wellbeing in Everyday Life: An Exploratory Study of Music Experience in Ghana
F Carl, R Kutsidzo
Legon Journal of the Humanities 27 (2), 29-46, 2016
112016
The Representation and Performance of African Music in German Popular Culture
F Carl
Yearbook for Traditional Music 43, 198-223, 2011
112011
Berlin/Accra: Music, Travel, and the Production of Space
F Carl
LIT Verlag Münster, 2009
8*2009
On the Music Preferences of Ghanaian Undergraduate Students: A Word or Two
E Otchere, F Carl
West African Journal of Musical Arts Education 3 (1), 75-93, 2016
62016
Hiplife Music and Rap in Ghana As Narrative and Musical Genre
F Carl, JW Dankwa
Narrating (Hi)stories in West Africa, ed. Bea Lundt and Ulrich Marzolph, 101-112, 2015
4*2015
Reisen im kolonialen Raum: Musik, Macht und die Transformation des weißen Körpers
F Carl
Koloniale und postkoloniale Konstruktionen von Afrika und Menschen …, 2006
42006
"Worshipping in My Head": Everyday Devotional Practices and Disciplines of Listening among Ghanaian Christians
F Carl
Ghana Studies 20 (1), 45-69, 2017
32017
Music, sound, or noise? Sonic culture in Ghana and its public health implications
F Carl, ED Otchere
Communication, Culture and Health, 223-242, 2015
22015
“Obiaa pɛ sɛ ɔkɔ international”: Negotiating the Local and the Global in Ghanaian Hiplife Music
F Carl
Speaking in Tongues: Pop lokal global (Beiträge zur Popularmusikforschung 42 …, 2015
22015
System Design and Usability Evaluation of Ghana Music Documentation System Using the System Usability Scale
AS Yussiff, F Carl, WF Wan Ahmad, S Mariwah, OE Debrah, AL Yussiff
International Visual Informatics Conference, 253-264, 2021
12021
Audio Reviews: "Kinka: Traditional Songs from Avenorpedo"; "Giving Voice to Hope"
F Carl
Yearbook for Traditional Music 47, 209-210, 2015
1*2015
Gospel Music in Africa: Christian Popular Music in the Age of Neoliberalism
F Carl
The Oxford Handbook of Global Popular Music, ed. Simone Krüger Bridge, DOI …, 2021
2021
Methode als offener Prozess – Reflexionen zur Musikethnologie populärer Kultur in Westafrika (und anderswo)
F Carl
Diggin' Up Music: Musikethnologie als Baustelle (Festschrift für Raimund …, 2021
2021
Music and the Ghanaian Diaspora: Transnational Trajectories and Cultural Identity
F Carl
Revisiting African Studies in a Globalized World, 297-311, 2017
2017
Dagaaba Xylophone: Daga-Gyil Making in Ghana
F Carl, JW Dankwa
Documentary film (DVD). Museum Collection Berlin Audiovisuell, vol. 8 …, 2016
2016
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Articles 1–20