| Supporting ‘Film Cultural Peripheries’? The dilemmas of regional film policy in Norway S Sand International Journal of Cultural Policy 24 (1), 85-102, 2018 | 13 | 2018 |
| Indigenous Television for the Majority: Analyzing NRK Sapmi’s Muitte Mu (Remember Me) SA Sand Television & New Media 22 (5), 501-515, 2021 | 7 | 2021 |
| Indigenous journalism, media innovation, and social change: A review of previous research and call for more critical approaches NN Bhroin, S Sand, T Rasmussen Nordicom review 42 (2), 185-206, 2021 | 7 | 2021 |
| «Herrer i eget hus»–Finnmarksloven i media SS Eira Norsk medietidsskrift 20 (4), 330-346, 2013 | 7 | 2013 |
| Regional screen ecosystems at the peripheries: Production and talent development in Tromsø and Aarhus PS Chow, SA Sand Journal of Scandinavian Cinema 10 (2), 169-189, 2020 | 6 | 2020 |
| Voices from the peripheries: A study of the regional film and television business in Norway SA Sand Høgskolen i Innlandet-Lillehammer, 2017 | 6 | 2017 |
| Creative Clusters–Urban Utopia or Regional Remedy?: A Nordic perspective on the role of the creative industries in regional development SA Sand Nordic Journal of Media Studies 2 (1), 109-120, 2020 | 5 | 2020 |
| Small places, universal stories. Diversity, film policy and the geographical dimension of filmmaking SA Sand Nordisk kulturpolitisk tidsskrift 22 (1), 8-25, 2019 | 5 | 2019 |
| Dealing with racism: Colonial history and colonization of the mind in the autoethnographic and Indigenous film Sami Blood S Sand Journal of international and intercultural communication 16 (3), 209-223, 2023 | 4 | 2023 |
| In front of and behind the camera: Media images from Northern Norway SS Eira International journal of media & cultural politics 11 (3), 315-327, 2015 | 4 | 2015 |
| Different places, different stories? The importance of place in regional film and television production SA Sand Building Successful and Sustainable Film and Television Businesses: A Cross …, 2017 | 3 | 2017 |
| ‘Call the Norwegian embassy!’: The Alta conflict, Indigenous narrative and political change in the activist films The Taking of Sámiland and Let the River Live SA Sand Journal of Scandinavian Cinema 12 (1), 57-70, 2022 | 2 | 2022 |
| How to Succeed with Film Production in the Regions? SA Sand Nordicom Review 38 (1), 113-125, 2017 | 2 | 2017 |
| How should the non-Indigenous speak? A discussion of decolonizing academia, positioning, and freedom of speech SA Sand Cultural Studies, 1-19, 2023 | 1 | 2023 |
| ‘Northern, not Nordic noir’: A Norwegian case study on crime series and strategies for transnational television SA Sand, T Vordal Journal of Scandinavian Cinema 11 (2), 157-176, 2021 | 1 | 2021 |
| Indigenous journalism, media innovation, and social change A review of previous research and call for more critical approaches SA Sand, T Rasmussen, N Ní Bhroin De Gruyter, 2021 | | 2021 |
| HVORDAN LYKKES MED SPILLEFILMPRODUKSJON I REGIONENE? EN ANALYSE AV TO SELSKAPER S Sand | | |
Niamh Ní BhroinUniversity of AgderVerified email at uia.no
