| A Research on the Recognition of Implication & Motifs of Gooran Tribal Gravestones in West Islamabad (Ex-Shah Abad) City F ahmadzadeh, SH Hosayni, H Norasi Theoretical Principles of Visual Arts 3 (1), 72-92, 2018 | 4 | 2018 |
| Examining the Characteristics of Visual Thinking & their Function in the Design Thinking Process M Mouhebati1, ML 2, BN Motlagh3, AD Roknabadi4, S Salehi5 Theoretical Principles of Visual Arts 4 (1), 155-162, 2019 | 3 | 2019 |
| Revision of the theory of design as a discipline Content analysis of contemporary design methodology A Tondi, B Amraee Theoretical Principles of Visual Arts 4 (1), 141-154, 2019 | 3 | 2019 |
| An Analysis of Pattern Making, Representation of Details, the Third Dimension of Objects in Iranian Paintings based upon the Islamic Optics M Keshmiri, Z Rahbarnia Theoretical Principles of Visual Arts 3 (2), 5-20, 2019 | 3 | 2019 |
| Analysis of drawing level of family test in normal and bad parenting children (aged4-6 in Tehran). E Khatiri, M Nourani Theoretical Principles of Visual Arts 3 (2), 33-44, 2019 | 3 | 2019 |
| Study of the Evolution of Buraq Image in Persian Painting (From the 7th to the 13th century AH) A Sheikhi, M Sadeghifar Theoretical Principles of Visual Arts 3 (1), 93-106, 2018 | 3 | 2018 |
| The Impact of Social Structure on Tendency towards New Styles (Iranian Painting during 1961 - 1971), With an Emphasis on Robert Wuthnow's Viewpoint M afshar, R Rouzbahani Theoretical Principles of Visual Arts 4 (1), 5-16, 2019 | 2 | 2019 |
| Semantic Analysis of Persian Typography in the Relationship between Signifier & Signified AE Haghighi, S Ahsant Theoretical Principles of Visual Arts 4 (1), 117-129, 2019 | 2 | 2019 |
| Reading narratives of Shaikh Safi Addin Ardebily`s tomb cover by Ghias Addin Ali Yazdi S Vaziri, A Tondi Theoretical Principles of Visual Arts 3 (2), 135-150, 2019 | 2* | 2019 |
| A Study of the Importance of Semiotics (Implication) in Conceptual Photography F Dianat Theoretical Principles of Visual Arts 2 (2), 71-84, 2018 | 2 | 2018 |
| An Analysis & Examination of Nastaliq Calligraphy Style of the Old Masters H Razavifard, HA Pourmand Theoretical Principles of Visual Arts 2 (2), 53-70, 2018 | 2 | 2018 |
| An Introduction to Mahmoud Farshchian's Style and Works (Theoretical and Practical Foundations) A Rezaeinabard Theoretical Principles of Visual Arts 1 (2), 23-40, 2017 | 2 | 2017 |
| The Relation between Character Development in Typeface Design with Typical & Aesthetic Characteristics E AfzalTousi, S Ansarian Theoretical Principles of Visual Arts 1 (2), 71-82, 2017 | 2 | 2017 |
| The Application of the Element of “Appropriation” in Commercials Ads M Taheri Theoretical Principles of Visual Arts 1 (1), 81-97, 2016 | 2 | 2016 |
| The Analysis of Aesthetics of Light in Tenebrism (Since 15th Century to the Present) D SoltanKashefi Theoretical Principles of Visual Arts 5 (1), 4-20, 2020 | 1 | 2020 |
| A Survey of an Illustration of a Persian-Translated Manuscript of the Book “Fi Marifat al-Hiyal al-Handasiyya”(Manuscript No. 708 of the Library of Shahid Motahari University … M Khorasanizadeh JOURNAL OF THEORETICAL PRINCIPLES OF VISUAL ARTS, 2020 | 1 | 2020 |
| Lithographically Illustrated Books A Reflection of Iran's Cultural & Industrial Evolution during Qajar Era Asnaashari, Nafiseh Theoretical Principles of Visual Arts 4 (1), 55-64, 2019 | 1 | 2019 |
| A Survey of the Effects of Teaching Creative Methods in Painting Workshop (Case Study: B.A. Students of Painting, Alzahra University) N Hourizad, M Hasanvand Theoretical Principles of Visual Arts 4 (1), 43-52, 2019 | 1 | 2019 |
| Meaning Production in Hannibal Alkhas's 'Getting Past the Tradition' From the Viewpoint of Roland Barthes’ Narrative Codes H Hormati, salahaddin khezernezhad Theoretical Principles of Visual Arts 4 (1), 29-41, 2019 | 1 | 2019 |
| Fabric Weaving in Safavid Era: History, Schools and Usage F Talebpour Theoretical Principles of Visual Arts 3 (2), 123-134, 2019 | 1 | 2019 |
