The civil contract of photography A Azoulay Princeton University Press, 2021 | 1933 | 2021 |
Potential history: Unlearning imperialism AA Azoulay Verso Books, 2019 | 817* | 2019 |
Civil imagination: A political ontology of photography AA Azoulay Verso Books, 2024 | 715 | 2024 |
The one-state condition: Occupation and democracy in Israel/Palestine A Azoulay, A Ophir Stanford University Press, 2012 | 275 | 2012 |
Death's Showcase: The Power of Image in Contemporary Democracy A Azoulay mit Press, 2001 | 137 | 2001 |
What is a photograph? What is photography? A Azoulay Philosophy of Photography 1 (1), 9-13, 2010 | 124 | 2010 |
From Palestine to Israel: A photographic record of destruction & state formation, 1947–1950 A Azoulay Mosaic 4, 25, 2011 | 79 | 2011 |
Archive A Azoulay Political Concepts 1, 2017 | 68 | 2017 |
Documentary across disciplines E Balsom, H Peleg, A Azoulay, Z Blas, C Blümlinger, S Bruzzi, ... Critique d’art, Livres collectifs, 2016 | 61 | 2016 |
This regime which is not one: occupation and democracy between the sea and the river (1967–) A Azoulay, A Ophir Tel Aviv, Israel: Resling, 2008 | 61 | 2008 |
Getting Rid of the Distinction between the Aesthetic and the Political A Azoulay Theory, Culture & Society 27 (7-8), 239-262, 2010 | 59 | 2010 |
The monster’s tail A Azoulay, A Ophir Against the Wall, 2-27, 2005 | 54 | 2005 |
Photography A Azoulay Mafte’akh 2 (e), 65-80, 2011 | 53 | 2011 |
The order of violence A Azoulay, A Ophir The power of inclusive exclusion: Anatomy of Israeli rule in the Occupied …, 2009 | 48 | 2009 |
The Family of Man: A Visual Universal Declaration of Human Rights A Azoulay The human snapshot, 19-48, 2013 | 46 | 2013 |
With Open Doors: Museums and Historical Narratives in Israel’s Public Space A Azoulay Museum Culture, 105-130, 2004 | 44 | 2004 |
When a demolished house becomes a public square A Azoulay Imperial debris: on ruins and ruination, 194-224, 2013 | 33 | 2013 |
The ethic of the spectator: the citizenry of photography A Azoulay Afterimage 33 (2), 38, 2005 | 32 | 2005 |
Palestine as symptom, Palestine as hope: Revising human rights discourse A Azoulay Critical Inquiry 40 (4), 332-364, 2014 | 29 | 2014 |
Photography consists of collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay A Azoulay Camera Obscura: Feminism, Culture, and Media Studies 31 (1), 187-201, 2016 | 28 | 2016 |