| CCTV's global outreach: Examining the audiences of China's ‘New Voice’on Africa L Gorfinkel, S Joffe, C Van Staden, YS Wu Media International Australia 151 (1), 81-88, 2014 | 49 | 2014 |
| Chinese television and national identity construction: The cultural politics of music-entertainment programmes L Gorfinkel Routledge, 2017 | 42 | 2017 |
| Telling a different story: Stance in verbal-visual displays in the news D Economou Critical multimodal studies of popular discourse, 181-201, 2013 | 28* | 2013 |
| From transformation to preservation: Music and multi-ethnic unity on television in China G Lauren Music as intangible cultural heritage, 99-112, 2016 | 19 | 2016 |
| The role of government’s ‘Owned Media’in fostering cultural inclusion: A case study of the NSW Department of Education’s online and social media during COVID-19 L Gorfinkel, T Muscat, S Ollerhead, A Chik Media International Australia 178 (1), 87-100, 2021 | 18 | 2021 |
| Narratives of Contemporary Africa on China Global Television Network’s Documentary Series Faces of Africa D Madrid-Morales, L Gorfinkel Journal of Asian and African studies 53 (6), 917-931, 2018 | 18 | 2018 |
| When foreigners perform the Chinese nation: Televised global Chinese language competitions L Gorfinkel, A Chubb Chinese Television in the twenty-first century, 121-140, 2014 | 17 | 2014 |
| Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage L Gorfinkel Perfect Beat 12 (2), 107-128, 2011 | 9 | 2011 |
| Television, scale and place-identity in the PRC: Provincial, national and global influences from 1958 to 2013 W Sun, L Gorfinkel Television Histories in Asia, 19-37, 2015 | 8 | 2015 |
| Performing the Chinese nation: the politics of identity in China Central Television's music-entertainment programs L Gorfinkel | 8 | 2011 |
| Perspectives on multilingualism in mainstream university learning and teaching: Case studies from Sydney and Perth L Gorfinkel, Q Gong Multilingual Sydney, 153-164, 2018 | 5 | 2018 |
| Promoting a harmonious society through CCTV’s music-entertainment television programming L Gorfinkel China’s rise to power: Conceptions of state governance, 71-89, 2012 | 4 | 2012 |
| Pushing the boundaries of" music": cross-cultural and cross-disciplinary possibilities for" other" musics in the Australian music classroom L Gorfinkel International Conference on Cultural Diversity in Music Education (10th …, 2010 | 4 | 2010 |
| Hong Kong, films, and the building of China’s soft power: The cross-promotion of Chinese films on globally oriented state television L Gorfinkel, X Su Hong Kong and Bollywood: Globalization of Asian cinemas, 265-293, 2016 | 2 | 2016 |
| The urban-rural divide in China’s cultural industries: the case of Chinese radio W Lei, L Gorfinkel, W Sun Handbook of cultural and creative industries in China, 259-275, 2016 | 2 | 2016 |
| Schools' Use of Social Media for Multicultural Community Engagement: A Case Study of Facebook Use by Government Schools in Australia L Gorfinkel, T Muscat The Emerald Handbook of Computer-Mediated Communication and Social Media …, 2022 | 1 | 2022 |
| Thought Leader Lauren Gorfinkle L Gorfinkel Social media communication: concepts, practices, data, law and ethics, 31-35, 2024 | | 2024 |
| Thought-Leader Essay on Social Media and School-Family Communication L Gorfinkel Social media Communication: concepts, practices, data, law and ethics, 2022 | | 2022 |
| Song King: Connecting People, Places, and Past in Contemporary China L Gorfinkel CHINA JOURNAL 83, 197-199, 2020 | | 2020 |
| Book review: Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919–1954 L Gorfinkel China Information 26 (1), 109-111, 2012 | | 2012 |
Tanya MuscatLecturer, Curtin UniversityVerified email at curtin.edu.au
