| EU copyright law: a commentary I Stamatoudi, P Torremans Edward Elgar Publishing, 2021 | 88 | 2021 |
| The parody exception in copyright law S Jacques | 38 | 2018 |
| From publishers to self-publishing: Disruptive effects in the book industry M Hviid, S Izquierdo-Sanchez, S Jacques International Journal of the Economics of Business 26 (3), 355-381, 2019 | 23 | 2019 |
| From publishers to self-publishing: The disruptive effects of digitalisation on the book industry M Hviid, S Izquierdo-Sanchez, S Jacques CREATe working paper, 2016 | 19 | 2016 |
| Protecting Europe’s content production from US giants S Broughton Micova, F Hempel, S Jacques Journal of Media Law 10 (2), 219-243, 2018 | 18 | 2018 |
| Digitalisation and intermediaries in the music industry: The rise of the entrepreneur M Hviid, S Izquierdo-Sanchez, S Jacques SCRIPTed 15, 242, 2018 | 17 | 2018 |
| Digitalisation and intermediaries in the music industry M Hviid, S Izquierdo Sanchez, S Jacques CREATe Working Paper 2017 (7), 2017 | 17 | 2017 |
| A Parody Exception - Why trade mark owners should get the joke S Jacques European Intellectual Property Review 38 (8), 471-482, 2016 | 17 | 2016 |
| Platform power in the video advertising ecosystem S Broughton Micova, S Jacques Broughton Micova, S. & Jacques, S.(2020). Platform power in the video …, 2020 | 13 | 2020 |
| The Playing field for audiovisual advertising: What does it look like and who is playing S Broughton Micova, S Jacques Centre on Regulation in Europe (CERRE), 2019 | 11 | 2019 |
| An empirical study on the use of automated anti-piracy systems and the consequences for cultural diversity S Jacques, K Garstka, M Hviid, J Street SCRIPTed, 2018 | 9 | 2018 |
| The impact on cultural diversity of automated anti-piracy systems as copyright enforcement mechanisms: an empirical study of YouTube’s content ID digital fingerprinting technology S Jacques, K Garstka, M Hviid, J Street Available at SSRN 2902714, 2017 | 9 | 2017 |
| UK regulation after Brexit T Amodu, C Barnard, D Bailey, P Bocquillon, W Chang, M Crowley, ... UK in a Changing Europe, 2021 | 8 | 2021 |
| The functions of data in the competition between audiovisual media and video sharing platforms for advertising SB Micova, S Jacques Journal of Information Policy 10, 514-548, 2020 | 8 | 2020 |
| Automated anti-piracy systems as copyright enforcement mechanism: A need to consider cultural diversity S Jacques, K Garstka, M Hviid, J Street European Intellectual Property Review 40 (4), 2018 | 7 | 2018 |
| Automated Anti-Piracy Systems as Copyright Enforcement Mechanism: A Need to Consider Cultural Diversity S Jacques, K Garstka, M Hviid, J Street European Intellectual Property Review 40 (4), 218-229, 2018 | 7 | 2018 |
| Are the new ‘fair dealing’provisions an improvement on the previous UK law, and why? S Jacques Journal of Intellectual Property Law & Practice 10 (9), 699-706, 2015 | 7 | 2015 |
| Are national courts required to have an (exceptional) European sense of humour? S Jacques European Intellectual Property Review 37 (3), 134-137, 2015 | 6 | 2015 |
| First application of the Canadian parody exception S Jacques Journal of Intellectual Property Law & Practice, 2017 | 5 | 2017 |
| Mash-ups and Mixes: what impact have the recent copyright reforms had on the legality of sampling? S Jacques Entertainment Law Review 27 (1), 3-10, 2016 | 5 | 2016 |
Sofia Izquierdo SanchezUniversity of ManchesterVerified email at manchester.ac.uk
