| Uniform multilingualism: A media genealogy of Google Translate I Ramati, A Pinchevski New Media & Society 20 (7), 2550-2565, 2018 | 21 | 2018 |
| Use this sound: Networked ventriloquism on Yiddish TikTok I Ramati, R Abeliovich New Media & Society, 14614448221135159, 2022 | 7 | 2022 |
| Algorithmic Ventriloquism: The Contested State of Voice in AI Speech Generators I Ramati Social Media+ Society 10 (1), 20563051231224401, 2024 | | 2024 |
| Code: From Information Theory to French Theory, reviewed by Ido Ramati I Ramati mediastudies. press, 2023 | | 2023 |
| Thumbs up and down: The cultural technique of thumb-typing I Ramati Convergence 29 (1), 152-168, 2023 | | 2023 |
| Aleph-bet, dits-and-dahs, zeros and ones: representing Hebrew in character code I Ramati Internet Histories, 2021 | | 2021 |
| Media in the Dissemination of Land of Israel Songs I Ramati Studies in Contemporary Jewry, 137-151, 2020 | | 2020 |
| The Orientalized Phonograph: The Mechanical Recording of Oral Jewish Tradition I Ramati Cultural Critique 102, 61-89, 2019 | | 2019 |
| Healing Journeys: Return as Therapy in Walk on Water I Ramati Cinematic Homecomings: Exile and Return in Transnational Cinema, 209, 2014 | | 2014 |
| Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema I Ramati New German Critique 41 (3), 179-197, 2014 | | 2014 |
| Images in Transformation: Representations of Germany and Germans in Contemporary Israeli Fiction Cinema I Ramati | | |
Amit PinchevskiThe Hebrew UniversityVerified email at mscc.huji.ac.il
