| A “living” atlas for geospatial storytelling: The cybercartographic atlas of indigenous perspectives and knowledge of the Great Lakes region S Caquard, S Pyne, H Igloliorte, K Mierins, A Hayes, DRF Taylor Cartographica: The International Journal for Geographic Information and …, 2009 | 72 | 2009 |
| Curating Inuit Qaujimajatuqangit: Inuit knowledge in the Qallunaat art museum H Igloliorte Art Journal 76 (2), 100-113, 2017 | 45 | 2017 |
| Inuit artistic expression as cultural resilience H Igloliorte Response, responsibility, and renewal: Canada’s Truth and Reconciliation …, 2009 | 24 | 2009 |
| “We were so far away”: Exhibiting Inuit oral histories of residential schools H Igloliorte Curating difficult knowledge: Violent pasts in public places, 23-40, 2011 | 21 | 2011 |
| Arctic culture/global indigeneity H Igloliorte Negotiations in a vacant lot: Studying the visual in Canada, 150-70, 2014 | 18 | 2014 |
| The Inuit of our imagination H Igloliorte Inuit Modern: The Samuel and Esther Sarick Collection, 41-48, 2010 | 17 | 2010 |
| Critical Museum Theory/Museum Studies in Canada: A Conversatsion L Mctavish, S Ashley, H Igloliorte, K Robertson, A Terry Acadiensis 46 (2), 223-241, 2017 | 14 | 2017 |
| Hooked forever on primitive peoples’: James Houston and the transformation of ‘Eskimo handicrafts’ to Inuit art H Igloliorte Mapping modernisms: Art, indigeneity, colonialism, 62-90, 2019 | 13 | 2019 |
| We Were So Far Away: The Inuit Experience in Residential Schools Legacy of Hope Foundation, HL Igloliorte Legacy of Hope Foundation= Foundation autechtone de l'espoir, 2010 | 11 | 2010 |
| Introduction: continuities between eras: Indigenous Art histories/Introduction: continuité entre les époques: histoires des arts autochtones H Igloliorte, C Taunton RACAR: revue d'art canadienne/Canadian Art Review 42 (2), 5-12, 2017 | 10* | 2017 |
| Inuit Ceramics and Other Outliers: Creation and Collaboration in the North and South H Igloliorte Earthlings, 0 | 9 | |
| Transmissions: The Future Possibilities of Indigenous Digital and New Media Art. H Igloliorte, C Taunton, J Nagam Public 27 (54), 2016 | 8 | 2016 |
| ‘No History of Colonialism’Decolonizing Practices in Indigenous Arts H Igloliorte Decolonize Me, 19-27, 2012 | 8 | 2012 |
| Decolonize me H Igloliorte, S Loft, BL Croft Ottawa Art Gallery= Galerie d'art d'Ottawa, 2012 | 8 | 2012 |
| Influence and instruction: James Houston, Sunuyuksuk: Eskimo handicrafts, and the formative years of contemporary Inuit art HL Igloliorte Carleton University, 2006 | 7 | 2006 |
| Indigenous collaborations through the gallery as a site for self-determination and social change J Greyeyes, H Igloliorte, J Isaac, J Nagam Becoming Our Future: Global Indigneous Curatorial Practice, 119-34, 2020 | 5 | 2020 |
| Inuit Art: Markers of cultural resilience H Igloliorte Inuit Art Quarterly 25 (1-2), 4-11, 2010 | 5 | 2010 |
| Killjoys, academic citizenship and the politics of getting along H Igloliorte, AMW Jim, E Morton, CA Nelson, C Nighttraveller, AJ Ripley, ... TOPIA 38, 187-208, 2017 | 4 | 2017 |
| SakKijâjuk: Art and Craft from Nunatsiavut H Igloliorte, JJ Broomfield, A Chaulk, C Lalonde, B Pottle Goose Lane Editions, 2017 | 4 | 2017 |
| Inuit Art: The Brousseau Collection: a Guide to the Collection Musée national des beaux-arts du Québec, H Igloliorte Musée national des beaux-arts du Québec, 2016 | 4 | 2016 |
