| Der lange Marsch des Rock'n'Roll: Pop-und Rockmusik in der Volksrepublik China A Steen LIT Verlag Münster, 1996 | 34 | 1996 |
| Sound, protest and business. Modern Sky Co. and the new ideology of Chinese rock A Steen Berliner China-Hefte 18, 40-64, 2000 | 25 | 2000 |
| Tradition, Politics and Meaning in 20th Century China's Popular Music. Zhou Xuan:‘When will the Gentleman come back again?' A Steen Chime, 124-153, 2000 | 21 | 2000 |
| ‘To live is to serve the people’: the spirit of model soldier Lei Feng in postmodernity A Steen The changing landscape of China’s consumerism, 151-176, 2014 | 13 | 2014 |
| Traveling Entrepreneurs, Traveling Sounds: The Early Gramophone Business in India and China C Lubinski, A Steen Itinerario 41 (2), 275-303, 2017 | 12 | 2017 |
| Deutsch-chinesische Beziehungen 1911-1927: Vom Kolonialismus zur" Gleichberechtigung". Eine Quellensammlung A Steen Walter de Gruyter, 2009 | 11 | 2009 |
| Zwischen Unterhaltung und Revolution: Grammophone, Schallplatten und die Anfänge der Musikindustrie in Shanghai, 1878-1937 A Steen Otto Harrassowitz Verlag, 2006 | 11 | 2006 |
| “Voices of the Mainstream”: Red Songs and Revolutionary Identities in the People's Republic of China A Steen Vocal Music and Contemporary Identities, 225-247, 2013 | 10 | 2013 |
| Long live the revolution? The changing spirit of Chinese rock A Steen Popular Music and Human Rights, Volume II: World Music, 131-146, 2011 | 10 | 2011 |
| Buddhism & Rockmusic-A new Musicstyle? A Steen Chime, 151-164, 1998 | 10 | 1998 |
| Zwischen Unterhaltung und Revolution A Steen Grammophone, Schallplatten und die Anfänge der Musikindustrie in Shanghai …, 1878 | 7 | 1878 |
| Propaganda on shellac, vinyl and plastic: The politics of record production during the Cultural Revolution in China (1966–76) A Steen Journal of Contemporary Chinese Art 4 (2-3), 221-241, 2017 | 6 | 2017 |
| China pop love, patriotism and the state in China’s music sphere A Steen temp-tidsskrift for historie 3 (6), 115-138, 2013 | 5 | 2013 |
| From Resistance to International Diplomacy: Unwelcome Prussia and the Signing of the First Sino-German Treaty in Tianjin, 1859-1861 A Steen The Limits of Empire: New Perspectives on Imperialism on Modern China …, 2008 | 4 | 2008 |
| Postsocialist Creativity and Confusion: CD-Covers and the Visual Presentation of Chinese Popular Music A Steen Postmodern China, 27-52, 2008 | 4 | 2008 |
| Germany and the Chinese Coolie: Labor, Resistance and the Struggle for Equality, 1884-1914 A Steen German Colonialism Revisited: African, Asian, and Oceanic Experiences, 147-160, 2014 | 3 | 2014 |
| Deutschland, China und die „Kuli-Frage “: Transfer, Anwerbung und Widerstand, 1850-1914 A Steen Preußen/Deutschland und China: Entwicklungslinien und Akteure 1842-1911, 231-293, 2014 | 3 | 2014 |
| Der Zwang zur Diplomatie: Kommunikation, Übersetzung und die Verhandlungen zum deutsch-chinesischen Vertrag, 1859-1861 A Steen Preußen, Deutschland und China: Entwicklungslinien und Akteure 1842-1911, 63-111, 2014 | 3 | 2014 |
| Preußen, Deutschland und China: Entwicklungslinien und Akteure (1842-1911) M Leutner, A Steen, X Kai, X Jian, J Kloosterhuis, H Wanglin, ... LIT Verlag Münster, 2014 | 2 | 2014 |
| Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations A Steen Pacific Affairs 84 (2), 354-354, 2011 | 2 | 2011 |
