| Times square: Strategies and contingencies of preserving sonic art C Eppley Leonardo Music Journal 27, 21-26, 2017 | 6 | 2017 |
| Soundsites: Max Neuhaus, Site-Specificity, and the Materiality of Sound as Place CA Eppley State University of New York at Stony Brook, 2017 | 3 | 2017 |
| Mapping a Sound of a Space: Christine Sun Kim's (LISTEN) (2016) C Eppley The Journal of Media Art Study & Theory 2 (2), 102-116, 2021 | 2 | 2021 |
| Beyond Cage: On Sonic Art History & Historiography C Eppley Parallax 23 (3), 342-360, 2017 | 2 | 2017 |
| Sound is Here: An Interview with Barbara London C Eppley Rhizome. org, 2013 | 2 | 2013 |
| Windspun (1981): Liz Phillips, Sonic Public Art and the “Greening” of the South Bronx C Eppley Public Art Dialogue 11 (1), 48-84, 2021 | 1 | 2021 |
| Dream Catcher. C Eppley Art in America 103 (8), 45-46, 2015 | 1 | 2015 |
| Queer Politics & Positionalities in Sonic Art: A Special Series Reflection & Forecast C Eppley Resonance: The Journal of Sound and Culture 5 (1), 45-50, 2024 | | 2024 |
| Interview: JT Green and Ariana Martinez in Conversation with Charles Eppley (February 2023) C Eppley Resonance: The Journal of Sound and Culture 4 (3), 260-274, 2023 | | 2023 |
| Queer Trash: Michael Foster and Richard Kamerman in Conversation with Charles Eppley (February 23, 2023) C Eppley Resonance: The Journal of Sound and Culture 4 (2), 198-209, 2023 | | 2023 |
| Introducing the Upcoming Special Series “Queer Politics & Positionalities in Sonic Art” C Eppley Resonance: The Journal of Sound and Culture 4 (1), 6-12, 2023 | | 2023 |
| Decolonizing Sonic Public Art: Max Siedentopf and the Herero-Namaqua Genocide C Eppley CAA 2020 ANNUAL CONFERENCE, 2020 | | 2020 |
| Mouvement PerpetuǸ l: Between Figuration and Representation in the Work of Francis Picabia C Eppley The Graduate School, Stony Brook University: Stony Brook, NY., 2011 | | 2011 |
Åsa StjernaVerified email at asastjerna.se
