| Histories and practices of live art D Heddon, J Klein Bloomsbury Publishing, 2012 | 48 | 2012 |
| Art, Meeting, and Encounter: The Art of Action in Great Britain R Hunter, B Judit Histories and Practices of Live Art. Houndmills/Basingstoke, 85-87, 2012 | 7 | 2012 |
| Small time life A Stitt, R Hunter Black Dog Publishing, 2001 | 6 | 2001 |
| Out of time A Phillips Cornerhouse Publ., 1998 | 6 | 1998 |
| Artistic research in action: proceedings of CARPA 2-colloquium on artistic research in performing arts A Arlander | 3 | 2011 |
| I think I now know R Hunter Artistic Research in Action, 23, 2011 | 3 | 2011 |
| I think I now know R Hunter Artistic Research in Action, 23, 2011 | 3 | 2011 |
| Alastair MacLennan: Knot Naught A MacLennan, G Watson, R Hunter Ormeau Baths Gallery, 2003 | 3 | 2003 |
| Networked Art Practice After Digital Preservation S Cook, R Hunter | 2 | 2020 |
| Beyond “East” and “West” through The Eternal Network: Networked artists’ communities as counter-publics of Cold War Europe R Hunter Performance Art in the Second Public Sphere, 19-31, 2018 | 2 | 2018 |
| CRUMB doctoral research: reflections on creating and exhibiting digital art. V Bradbury, M Ghidini, R Hunter, S O'Hara, D Smith ISEA International, 2013 | 2 | 2013 |
| TRACE: displaced A Stitt Parthian Books, 2011 | 2 | 2011 |
| Alastair MacLennan: knot naught G Watson, R Hunter Ormeau Baths Gallery, 2003 | 2 | 2003 |
| A Place to Place; a Site to See: The Predicament and Situation of the Table In some of Alastair MacLennan’s ‘Actuations’ R Hunter Alastair MacLennan Knot Naught: A Retrospective, 177-184, 2003 | 2 | 2003 |
| The Poïpoïdrome in Budapest: A Case Study in Curating Changeability in Contemporary Art J Bodor, R Hunter Apparatus: Film, Media and Digital Cultures of Central and Eastern Europ, 2020 | 1 | 2020 |
| Curating the eternal network after globalisation R Hunter University of Dundee, 2019 | 1 | 2019 |
| Drawing Remains, Drawings Remain R Hunter Air A Lair: Alastair MacLennan, 41, 2017 | 1 | 2017 |
| Roddy Hunter: Civil Twilight & Other Social Works J Bodor, R Hunter Trace: Samizdat Press, 2007 | 1 | 2007 |
| How can ownership of an archive of international art be distributed and shared against the re-emergence of nationalism? R Hunter | | 2023 |
| Live Art in Scotland: Roddy Hunter S Greer, R Hunter Live Art in Scotland, 2022 | | 2022 |
Judit BodorBaxter Fellow in Curatorial Practice, University of DundeeVerified email at dundee.ac.uk
