| Is it OK to Laugh About It?: Holocaust Humour, Satire and Parody in Israeli Culture L Steir-Livny Vallentine Mitchell, 2017 | 30 | 2017 |
| The Jewish Works of Sayed Kashua Subversive or Subordinate? A Mendelson-Maoz, L Steir-Livny Israel Studies Review 26 (1), 107-129, 2011 | 26 | 2011 |
| Is it OK to laugh about it yet? L Steir-Livny The European Journal of Humour Research 4 (4), 105-121, 2016 | 24 | 2016 |
| Let the Memorial Hill Remember: Holocaust Representation in Israeli Popular Culture L Steir-Livny Tel Aviv: Resling, 2014 | 24 | 2014 |
| Two Faces in the Mirror: The Representation of Holocaust Survivors in Israeli Cinema L Steir-Livny Jerusalem: Eshkolot-Magnes, 2009 | 19 | 2009 |
| Holocaust humor, satire, and parody on Israeli television L Steir-Livny Jewish Film & New Media 3 (1), 193-219, 2015 | 18 | 2015 |
| Remaking Holocaust Memory: Documentary Cinema by Third-Generation Survivors in Israel L Steir-Livny Syracuse University Press, 2019 | 17 | 2019 |
| Traumatic past in the present: COVID-19 and Holocaust memory in Israeli media, digital media, and social media L Steir-Livny Media, Culture & Society 44 (3), 464-478, 2022 | 13 | 2022 |
| Is it OK to Laugh About it L Steir-Livny Holocaust Humour, Satire and Parody in Israeli Culture. London: Vallentine …, 2017 | 13 | 2017 |
| Humor as a defense mechanism: Dismantling holocaust symbols and icons in Israeli culture L Steir-Livny The Palgrave handbook of humour research, 173-187, 2021 | 12 | 2021 |
| The Link between the Holocaust and the Israeli–Arab Conflict in Israeli Culture 1950s–1970s L Steir-Livny Reconstructing Jewish Identity in Pre and Post Holocaust Literature and …, 2012 | 7 | 2012 |
| Near and far: The representation of Holocaust survivors in Israeli feature films L Steir-Livny Israeli Cinema: Identities in Motion, 168-180, 2011 | 7 | 2011 |
| Remembrance in the Living Room [Zikaron b'Salon]: grassroots gatherings as new forms of Holocaust commemoration in Israel L Steir-Livny Performative Holocaust Commemoration in the 21st Century, 107-124, 2021 | 6 | 2021 |
| The Image of Anne Frank: From Universal Hero to Comic Figure L Steir-Livny Laughter After: Humor and the Holocaust, 195-217, 2020 | 6 | 2020 |
| Har hazikaron izkor bimkomi L Steir-Livny Ha-zikaron he-chadash shel ha-Shoah be-tarbut ha-popularit be-Israel. Tel …, 2014 | 6 | 2014 |
| Hibridity in Israeli Television:‘The First Israeli-Arab Sitcom’ A Mendelson-Maoz, L Steir-Livny Misgarot Media 6, 31-59, 2011 | 6 | 2011 |
| The threefold exile–the female Holocaust survivor in Israeli cinema L Steir-Livny Gender in Israel–new studies on gender in the Yishuv and the state, Iyunim …, 2011 | 6 | 2011 |
| Har hazikaron yizkor bimkomi [Let the Memorial Hill Remember] L Steir-Livny Tel Aviv: Resling, 2014 | 5 | 2014 |
| Looking beyond the victims: descendants of the perpetrators in Hitler’s Children L Steir-Livny Holocaust Studies 27 (2), 293-306, 2021 | 4 | 2021 |
| Trauma from the Perspective of Holocaust Survivors in the Israeli Film The Cellar (Natan Gross, 1963) L Steir-Livny Prooftexts 37 (2), 306-327, 2019 | 4 | 2019 |
