| The thummer mapping project (ThuMP) G Paine, I Stevenson, A Pearce Proceedings of the 7th international conference on New interfaces for …, 2007 | 39 | 2007 |
| Thummer Mapping Project (ThuMP) G Paine, I Stevenson, A Pearce Proceedings of the Australasian Computer Music Association, 2005 | 39 | 2005 |
| E-mic: extended mic-stand interface controller D Hewitt, I Stevenson NIME-03-Proceedings of the 2003 Conference on New Interfaces for Musical …, 2003 | 30 | 2003 |
| The Composer’s Program Note for Newly Written Classical Music: Content and Intentions DM Blom, D Bennett, I Stevenson Frontiers in Psychology 7 (1707), 2016 | 15 | 2016 |
| Assessing music performance process and outcome through a rubric: Ways and means D Blom, I Stevenson, J Encarnacao Assessment in music education: From policy to practice, 125-139, 2015 | 7 | 2015 |
| Developing a Framework for the Analysis of Program Notes Written for Contemporary Classical Music Concerts I Blom, D., Bennett, D., & Stevenson Frontiers in Psychology 11 (376), 2020 | 6 | 2020 |
| Spatialisation, Method and Madness Learning from Commercial Systems I Stevenson form space time, 111, 2002 | 4 | 2002 |
| Soundscape analysis for effective sound design in commercial environments I Stevenson Sonic Environments Australasian Computer Music Conference, 2016 | 3 | 2016 |
| The sound effect: a study in radical sound design IR Stevenson University of Sydney, 2014 | 3 | 2014 |
| Gentleness-suddeness B Crossman, I Stevenson | 2 | 2014 |
| EMS 2014: The Twelfth Electroacoustic Music Studies Network Conference (review) I Stevenson Computer Music Journal 38 (4), 100-102, 2014 | 2 | 2014 |
| Expanded Practice: facilitating the integration of visual media, theatricality and sound technology into music performance I Stevenson, E Encarnacao, J. and McPhee Teaching and assessing music performance at university: Beyond the …, 2020 | 1 | 2020 |
| Staging de Quincey: Soundscape and literary language in tess de quincey's ghost quarters J Goodall, I Stevenson About Performance, 139-153, 2017 | 1 | 2017 |
| Schaeffer’s Sound Effects I Stevenson Music’s Immanent Future: The Deleuzian Turn in Music Studies, 2016 | 1 | 2016 |
| The assessment rubric as institutional culture: evaluating creative music processes and outcomes at undergraduate level D Blom, I Stevenson, J Encarnacao Educating Professional Musicians in a Global Context, 20, 2012 | 1 | 2012 |
| Review: Sonic Residues 02 I Reviewer-Stevenson Computer Music Journal 25 (3), 82-85, 2001 | 1* | 2001 |
| Diffusion: Realisation, Analysis and Evaluation I Stevenson interFACES Proceedings of the Australasian Computer Music Association 2000, 77, 2000 | 1 | 2000 |
| The I-Pad Orkestra ensemble: creative and collaborative learning I Blom, D. and Stevenson Teaching and assessing music performance at university: Beyond the …, 2020 | | 2020 |
| Performativity and Interactivity: Pre-paradigmatic Performance I Stevenson Teaching and assessing music performance at university: Beyond the …, 2020 | | 2020 |
| Disciplinary perspectives on music performance through the lens of assessment criteria I Stevenson Teaching and assessing music performance at university: Beyond the …, 2020 | | 2020 |
