| A critical companion to medieval motets JC Hartt Boydell & Brewer, 2018 | 9 | 2018 |
| Rehearing Machaut's motets: Taking the next step in understanding sonority JC Hartt Journal of Music Theory 54 (2), 179-234, 2010 | 8 | 2010 |
| The Genre (s) of Medieval Motets EE Leach, J Hartt A Critical Companion to Medieval Motets, 15-41, 2018 | 7 | 2018 |
| Tonal and Structural Implications of Isorhythmic Design in Guillaume de Machaut's Tenors JC Hartt Theory and Practice, 57-94, 2010 | 6 | 2010 |
| The Dorset Rotulus: Contextualizing and Reconstructing the Early English Motet M Bent, JC Hartt, P Lefferts Boydell & Brewer, 2021 | 5 | 2021 |
| The Problem of the Vitry Motet Corpus: Sonority, Kinship, Attribution JC Hartt Music Theory and Analysis (MTA) 4 (2), 192-228, 2017 | 5 | 2017 |
| Sonority, Syntax, and Line in the Three-Voice Motets of Guillaume de Machaut JC Hartt Washington University, 2007. Department of Music., 2007 | 5 | 2007 |
| Poetry, Art, and Music in Guillaume de Machaut's Earliest Manuscript (BnF fr. 1586) LM Earp, JC Hartt (No Title), 2021 | 4 | 2021 |
| The Three Tenors: Machaut's Secular Trio JC Hartt Studi musicali 38 (2), 237, 2009 | 4 | 2009 |
| Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp JC Hartt, T Mahoney-Steel, BL Albritton Brepols Publishers, 2022 | 2 | 2022 |
| Les doubles hoqués et les motés: Guillaume de Machaut's Hoquetus David JC Hartt Plainsong & Medieval Music 21 (2), 137-173, 2012 | 2 | 2012 |
| Phenomenology of Performance (A Roundtable) JC Hartt, T Mahoney-Steel 2023 International Congress on Medieval Studies, 2023 | | 2023 |
| Women Making Noise JC Hartt, C Gobeille 2022 International Congress on Medieval Studies, 2022 | | 2022 |
| There's No Business like Machaut Business (A Roundtable) JC Hartt, KW Ruffo 2022 International Congress on Medieval Studies, 2022 | | 2022 |
| Polyphony in Medieval Paris: The Art of Composing with Plainchant, by Catherine A. Bradley JC Hartt Journal of the American Musicological Society 74 (1), 181-185, 2021 | | 2021 |
| The Montpellier Codex: The Final Fascicle; Contents, Contexts, Chronologies. JC Hartt SPECULUM-A JOURNAL OF MEDIEVAL STUDIES 94 (4), 1128-1129, 2019 | | 2019 |
| Catherine A. Bradley and Karen Desmond, eds., The Montpellier Codex: The Final Fascicle; Contents, Contexts, Chronologies. Woodbridge, UK: Boydell, 2018. Pp. xviii, 333; 21 … JC Hartt | | 2019 |
| Notations K Desmond A Critical Companion to Medieval Motets, 103-130, 2018 | | 2018 |
| Yolanda Plumley. The Art of Grafted Song: Citation and Allusion in the Age of Machaut. Oxford: Oxford University Press, 2013. xxiv+ 460 pp. $74. ISBN: 978-0-19-991508-8. JC Hartt Renaissance Quarterly 67 (4), 1426-1427, 2014 | | 2014 |
| A Missing Middle-Voice Melody: Reconstructing the Tenor of A solis ortus/Salvator mundi Domine JC Hartt Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp, 553-580, 0 | | |
