| Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life AG Crespán Comparative Drama 58 (1), 109-129, 2024 | | 2024 |
| Review of Evelyn Brown AG Crespán Revista de Estudios Norteamericanos 27, 2023 | | 2023 |
| FROM LA VIUDA TO LETTERS FROM CUBA: FAMILY CORRESPONDENCE IN MARÍA IRENE FORNÉS’THEATER AG Crespán Revista de Estudios Norteamericanos 27, 2023 | | 2023 |
| Noelia Hernando-Real (2022): Rosas en la arena: los relatos de Susan Glaspell, València: Universitat de València, 248 pp. AG Crespán Revista de Filología de la Universidad de La Laguna, 393-395, 2023 | | 2023 |
| The Cuban Rafter Crisis on Stage: Humanizing the Experience of Refugees in María Irene Fornés’ AG Crespán American, British and Canadian Studies 39 (1), 100-120, 2022 | | 2022 |
| Wonder, refuge, promise: Explorations and discoveries of America in Maria Irene Fornes' final plays AG Crespán Latin American theatre review 56 (1), 43-62, 2022 | | 2022 |
| Emeline Jouve (2017). Susan Glaspell's Poetics and Politics of Rebellion. Iowa City: Iowa University Press A González Crespán Acotaciones, 261-264, 2018 | | 2018 |
| The Tragic (Male) Hero in the Wake of the New Millenium: Upturning Gender and Sexuality in The Goat, or Who Is Sylvia? A González Crespán Sex, Gender, and Sexualities in Edward Albee's Plays 2, 121-136, 2018 | | 2018 |
| Voces contra la mediocridad. La Vanguardia teatral de los Provincetown Players, 1015-1922. Noelia Hernando Real AG Crespán Revista de Estudios Norteamericanos, 2016 | | 2016 |
| Defining Gender and Sexualtiy in The Children's Hour A González Crespán Woman on Trial. Gender and the Accused Woman in Plays from Ancient Greece to …, 2015 | | 2015 |
| Las mujeres de Lillian Hellman: una voz poderosa en un teatro de hombres/Lillian Hellman’s Women: A Powerful Voice in a Masculine Theatre AG Crespán Asparkía. Investigació Feminista, 49, 2013 | | 2013 |
| Educational dramatics: the instructional qualities of Fefu and Her Friends MA Gonzalez Crespan Revista de estudios norteamericanos, 2013 | | 2013 |
| Apuntes biográficos sobre Beah Richards AG Crespán Asparkía. Investigació feminista, 203-205, 2012 | | 2012 |
| Apuntes biográficos sobre Beah Richards A González Crespán Publicacions de la Universitat Jaume I, 2012 | | 2012 |
| Unha ollada ás mulleres en tres obras de Cunqueiro: A noite vai como un río: Palabras de vísperas e Función de Romeo e Xulieta AG Crespán Casahamlet: Revista de teatro, 28-30, 2011 | | 2011 |
| Desafío y Convención: Imágenes de la mujer sureña en Lillian Hellman A González Crespán | | 2005 |
| Against "Ruby Lip and Saucy Curl": Breaking the Great Divide among Women in Beah Richards' A Black Woman Speaks A González Crespán Staging a Cultural Paradigm: The Political and the Personal in American …, 2002 | | 2002 |
| Sumisión y rebeldía: Representación y tipología de la mujer sureña en la dramaturgia de Lillian Hellman A González Crespán Universidad de Salamanca, 2001 | | 2001 |
| From The Cherry Orchard to The Autumm Garden: Chekhovian overtones in Lillian Hellman, mimesis and innovation. AG Crespán Babel–AFIAL: Aspectos de Filoloxía Inglesa e Alemá, 35-52, 1999 | | 1999 |
