Estudios avanzados de performance DTMA Fuentes Fondo de Cultura Económica, 2012 | 483* | 2012 |
Performance Constellations: Networks of Protest and Activism in Latin America MA Fuentes The University of Michigan Press, 2019 | 59 | 2019 |
Activismos tecnopolíticos. Constelaciones de performance. MA Fuentes Eterna Cadencia, 2020 | 57 | 2020 |
Performance, politics, and protest MA Fuentes What is Performance Studies, 2015 | 38 | 2015 |
Performance constellations: Memory and event in digitally enabled protests in the Americas MA Fuentes Text and Performance Quarterly 35 (1), 24-42, 2015 | 30 | 2015 |
# NiUnaMenos (# NotOneWomanLess): Hashtag Performativity, Memory, and Direct Action against Gender Violence in Argentina MA Fuentes Women mobilizing memory, 172-191, 2019 | 26 | 2019 |
Zooming in and out: Tactical media performance in transnational contexts MA Fuentes Performance, Politics and Activism, 32-55, 2013 | 18 | 2013 |
’Investments Towards Returns’: Protest and Performance in the Era of Financial Crises MA Fuentes Travesía. Journal of Latin American Cultural Studies 21 (3), 449-468, 2012 | 11 | 2012 |
Event MA Fuentes Reading Contemporary Performance: Theatricality Across Genres, 2015 | 5* | 2015 |
El teatro como acontecimiento: El teatro como acontecimiento. Políticas de la interrupción en el teatro documental de Vivi Tellas MA Fuentes Conjunto. Revista de teatro latinoamericano., 45-54., 2017 | 1* | 2017 |
Casting Shadows in Global Land: Luisa Calcumil's Fei C'Mei Aihuiñ Tuhun (Es bueno mirarse en la propia sombra/It's Good to Look at One's Own Shadow) M Fuentes Theatre Research International 35 (2), 183-187, 2010 | 1 | 2010 |
Critical Performances: The Scream, The Spider and the Green Wave as Feminist Articulations. M Fuentes The Routledge Companion of Latin American Studies, 2023 | | 2023 |
Constelaciones de performance Protesta y activismo en red. MA Fuentes Moléculas Malucas, 2020 | | 2020 |
En vivo, In- Situ, Encarnada: la performance como herramienta de investigación. En Danza: diversidad de paisajes estéticos. MA Fuentes, ME Franchignoni Universidad Nacional de las Artes, 2018 | | 2018 |
Making Change: Performance and the Workings of the Event. MA Fuentes Theatre, Performance and Theories of Change., 2018 | | 2018 |
Theater as Event: The Politics of Interruption in Vivi Tellas’ Documentary Theater MA Fuentes Calling Out of Context., 2017 | | 2017 |
Book review: Ethno-Techno: Writings on Performance, Activism and Pedagogy by Guillermo Gomez Pena: alt. theatre: cultural diversity and the stage M Fuentes | | 2008 |
Performance Review:" Memories of the Present: A Report from Buenos Aires International Theatre Festival": New York Arts Magazine M Fuentes | | 2006 |