| Making monsters: Lady Gaga, fan identification, and social media MA Click, H Lee, HW Holladay Fan Identities and Practices in Context, 82-101, 2017 | 263 | 2017 |
| ‘You’re born to be brave’: Lady Gaga’s use of social media to inspire fans’ political awareness MA Click, H Lee, HW Holladay International Journal of Cultural Studies 20 (6), 603-619, 2017 | 44 | 2017 |
| “Let’s Hug It Out, Bitch” HBO’s Entourage, Masculinity in Crisis, and the Value of Audience Studies MA Click, HW Holladay, H Lee, LJ Kristiansen Television & New Media 16 (5), 403-421, 2015 | 28 | 2015 |
| The drip, drip, drip of dystopia: The Handmaid’s Tale, temporal boundaries, and affective investment HW Holladay, CL Classen Feminist Media Studies 21 (3), 477-492, 2021 | 14 | 2021 |
| Reckoning with the “Redneck”: Duck Dynasty and the boundaries of morally appropriate whiteness HW Holladay Southern Communication Journal 83 (4), 256-266, 2018 | 12 | 2018 |
| “Everybody’s hard times are different”: country as a political investment in white masculine precarity AN Edgar, HW Holladay Communication and Critical/Cultural Studies 16 (2), 122-139, 2019 | 10 | 2019 |
| 7. Hating Skyler White: Gender and Anti-Fandom in AMC’s Breaking Bad HW Holladay, MA Click Anti-Fandom, 147-165, 2019 | 10 | 2019 |
| Race talk, fandom, and the legacy of plantation culture in the NFL player protests MA Click, AN Edgar, HW Holladay Journal of International and Intercultural Communication 15 (3), 256-273, 2022 | 8 | 2022 |
| Making Monsters: Lady Gaga MA Click, H Lee, HW Holladay Fan Identification, 2013 | 5 | 2013 |
| Doing whiteness “right”: Playing by the rules of Neoliberalism for Television’s working class HW Holladay Neoliberalism and the Media, 192-208, 2019 | 3 | 2019 |
| Breaking up with breaking bad: Relational dissolution and the critically acclaimed AMC series MA Click, HW Holladay Everybody hurts: Transitions, endings, and resurrections in fan cultures, 61-74, 2018 | 3 | 2018 |
| How far we’ve come?: Nostalgia and post-feminism in Mad Men HW Holladay Particip. J. Audience Recept. Stud, 2016 | 3 | 2016 |
| Working hard or working class?: Neoliberalism and working-class representation in contemporary television HW Holladay University of Missouri-Columbia, 2015 | 3 | 2015 |
| ‘I’m never gonna stop watching it’: The paradox of parasocial break-ups in a post-object era HW Holladay, AN Edgar Journal of Fandom Studies 7 (3), 213-227, 2019 | 2 | 2019 |
| Back on the Porch: Southern Working‐Class Whiteness and the Liberal Redneck Revolution HW Holladay The Journal of Popular Culture 52 (3), 500-517, 2019 | 1 | 2019 |
| 11 Kinship at the End of the World CL Classen, HW Holladay Television Sitcom and Cultural Crisis, 151, 2024 | | 2024 |
| Television Sitcom and Cultural Crisis HW Holladay, CL Classen Taylor & Francis, 2024 | | 2024 |
| Oh my God, that pool party: Shrill and fat femininity in a postfeminist media culture HW Holladay Communication Monographs 91 (2), 283-300, 2024 | | 2024 |
| Parks and Recreation HW Holladay Wayne State University Press, 2023 | | 2023 |
| Lady Gaga and the sociology of fame: the rise of a pop star in an age of celebrity: by Mathieu Deflem, New York, Palgrave Macmillan, 2017, 245 pp.,€ 18.99 (paperback), ISBN 978 … HW Holladay Celebrity Studies 12 (4), 703-705, 2021 | | 2021 |
