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Joanna Mansbridge
Joanna Mansbridge
The Chinese University of Hong Kong, Department of English
Verified email at cuhk.edu.hk
Title
Cited by
Cited by
Year
Abject Origins: Uncanny Strangers and Figures of Fetishism in Larissa Lai’s Salt Fish Girl
J Mansbridge
West Coast Line 38 (2), 121-133, 2004
292004
Paula Vogel
J Mansbridge
University of Michigan Press, 2014
242014
The Methuen Drama Guide to Contemporary American Playwrights
T Adler, ST Cummings, J Achilles, K Urban, K Benesch, ...
A&C Black, 2013
112013
Memory's Dramas, Modernity's Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's" The Long Christmas Ride Home"
J Mansbridge
Comparative Drama, 209-235, 2012
112012
Popular Bodies, Canonical Voices: Paula Vogel's Hot ‘n’ Throbbing as Performative Burlesque
J Mansbridge
Modern Drama 52 (4), 469-489, 2009
112009
Fantasies of Exposure: Belly Dancing, the Veil, and the Drag of History
J Mansbridge
The Journal of Popular Culture 49 (1), 29-56, 2016
92016
In Search of a Different History: The Remains of Burlesque in Montreal
J Mansbridge
Canadian Theatre Review, 7-12, 2014
72014
The Zenne: Male Belly Dancers and Queer Modernity in Contemporary Turkey1
J Mansbridge
Theatre Research International 42 (1), 20-36, 2017
52017
Adapting Queerness, Queering Adaptation: Fun Home on Broadway
J Mansbridge
Adaptation, Awards Culture, and the Value of Prestige, 75-94, 2017
52017
“Take Caroline away”: Catastrophe, change, and the tragic agency of nonperformance in Tony Kushner’s Caroline, or Change.’
J Mansbridge
Journal of American Drama and Theatre 31 (2), 2019
42019
Gestures of Remembrance in Paula Vogel and Rebecca Taichman’s Indecent
J Mansbridge
Modern drama 61 (4), 479-500, 2018
42018
When Zoom Roomed the World: Performing Network Culture's Enclosures
S Devabhaktuni, J Mansbridge, S Sentler
Global Performance Studies 4 (2), 2021
22021
Law of Extraction: Transcultural Environments, Uncanny Subjects, and the “Unresolved Question of Pleasure” in Ana Lily Amirpour’s A Girl Walks Home Alone at Night (2014)
JG Mansbridge
Journal of Popular Culture 54 (4), 811-831, 2021
22021
Endangered Vampires of the Anthropocene: Jim Jarmusch’s Only Lovers Left Alive and the Ecology of Romance
J Mansbridge
Genre: Forms of Discourse and Culture 52 (3), 207-228, 2019
22019
Animating Extinction, Performing Endurance: Feathers, Angels, and Indigenous Eco-Activism
J Mansbridge
Theatre Topics 28 (2), 113-123, 2018
22018
The Comic Bodies and Obscene Voices of Burlesque
J Mansbridge
Women and Comedy: History, Theory, Practice, 97-110, 2013
22013
Dramaturgy of Extinction: Sentient Landscapes, Spectral Bodies, and Unthought Worlds in Kris Verdonck’s Conversations (at the end of the world) and SOMETHING (out of nothing)
J Mansbridge
Contemporary Theatre Review 32 (2), 124–139, 2022
12022
Democracy's Dislocations: Spaces of Protest and the People of Hong Kong
S Devabhaktuni, J Mansbridge
Public Culture 34 (1), 99-121, 2022
12022
Consuming bodies, abject spaces: Ana Lily Amirpour’s transcultural expressionism
J Mansbridge
Female Agencies and Subjectivities in Film and Television, 65-83, 2020
12020
Architecture, Infrastructure, and Urban Performance in Hong Kong
J Mansbridge
Theatre Journal 72 (2), 197-218, 2020
12020
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