| The Articulation of Science in the Neo-Victorian Novel: A Poetics (and Two Case Studies) DC Bormann Peter Lang Publishing, 2002 | 62 | 2002 |
| Moving possible world theory from logic to value DC Bormann Poetics Today 34 (1-2), 177-231, 2013 | 12 | 2013 |
| Advanced literacy and the place of literary semantics in secondary education: A tool of fictional analysis D Candel Semiotica 2013 (195), 305-329, 2013 | 10 | 2013 |
| Literatur interpretieren: Ein Analysetool D Candel Bormann Vandenhoeck & Ruprecht (UTB), 2013 | 10 | 2013 |
| Possible worlds in the history of the novel DC Bormann Poetics Today 37 (1), 107-136, 2016 | 9 | 2016 |
| Covert Progression in Comics: A Reading of Frank Miller’s 300 D Candel Poetics Today 41 (4), 705-729, 2020 | 8 | 2020 |
| Analyzing the fictional worlds of Pixar with an eye on digital humanities D Candel, M Giuliani Pedraza, S Madarova, PR Cáceres, MR Sanz, ... Semiotica 2017 (218), 91-117, 2017 | 7 | 2017 |
| The rhythms of narrative tension and its cultural satisfaction: Frank Miller’s 300 D Candel English Text Construction 11 (2), 169-199, 2018 | 5 | 2018 |
| Inching towards literacy in Madrid’s primary schools: A survey of school-wide projects A Halbach, D Candel Bormann Language and education 33 (5), 416-430, 2019 | 4 | 2019 |
| Too Many Munnies, too Many Americas: the Answer to the Academic Frontier in Clint Eastwood’s Unforgiven DC Bormann European journal of American studies 4 (4-2), 2009 | 4 | 2009 |
| Julian Barnes’s A History Of Science In 10½ Chapters D Candel English Studies 82 (3), 253-261, 2001 | 4 | 2001 |
| NATURE FEMINISED IN JULIAN BARNES'S" A HISTORY OF THE WORLD IN 10 1/2 CHAPTERS" D Candel Atlantis, 27-41, 1999 | 4 | 1999 |
| Systematizing evil in literature: Twelve models for the analysis of narrative fiction D Candel Semiotica 2021 (242), 141-168, 2021 | 3 | 2021 |
| Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow” D Candel Semiotica 2020 (236-237), 275-295, 2020 | 3 | 2020 |
| A report on the reports of the Stanford literary lab: A reason why the digital humanities may find it difficult to change literary history D Candel Semiotica 2018 (224), 111-134, 2018 | 3 | 2018 |
| Ein Bild hielt uns gefangen: The Da Vinci Code and the Humanae Vitae D Candel Bormann Neophilologus 91 (3), 333-350, 2007 | 3 | 2007 |
| And What If Overt Plot and Covert Progression Are Connected? DC Bormann Style 55 (1), 53-58, 2021 | 2 | 2021 |
| Transgression and stability in Graham Swift's' Waterland' DC Bormann ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK 48 (4), 354-363, 2000 | 2 | 2000 |
| Defining the Sequel, Accounting for Its Reception: Analyzing the Pixar Corpus D Candel Bormann, E Dávila Torés, E Pérez Delgado Quarterly Review of Film and Video 38 (4), 369-392, 2021 | 1 | 2021 |
| Female Voices Bound by Chaos DC Bormann (Trans) Formaciones de las sexualidades y el genero, 219-236, 2001 | 1 | 2001 |
Ana HalbachProfessor of English, Universidad de AlcaláVerified email at uah.es
