| Psychoanalysis and ethics in documentary film A Piotrowska Routledge, 2023 | 95 | 2023 |
| The nasty woman and the neo femme fatale in contemporary cinema A Piotrowska Routledge, 2018 | 30 | 2018 |
| Embodied Encounters A Piotrowska Taylor & Francis, 2015 | 22 | 2015 |
| Zero Dark Thirty–‘war autism’or a Lacanian ethical act? A Piotrowska Embodied Encounters, 117-130, 2014 | 21 | 2014 |
| Animating the real: a case study A Piotrowska Animation 6 (3), 335-351, 2011 | 17 | 2011 |
| Intolerance and joy, violence and love among male football fans: towards a psychosocial explanation of ‘excessive’behaviours A Harvey, A Piotrowska Diversity, equity and inclusion in sport and leisure, 178-187, 2016 | 14 | 2016 |
| Creative practice research in the age of neoliberal hopelessness A Piotrowska Edinburgh University Press, 2020 | 12 | 2020 |
| Black and white: Cinema, politics and the arts in Zimbabwe A Piotrowska Routledge, 2016 | 12 | 2016 |
| The conman and I: A case study of transference in documentary A Piotrowska Studies in Documentary Film 6 (1), 15-28, 2012 | 10 | 2012 |
| Married to the Eiffel Tower A Piotrowska United Kingdom. Channel Five, 2008 | 8 | 2008 |
| “5,000 feet is the best”: Drone Warfare, Targets and Paul Virilio’s “Accident,”’ A Piotrowska Disappearing war: interdisciplinary perspectives on cinema and erasure in …, 2017 | 5 | 2017 |
| What Does (a Nasty) Woman Want? A Piotrowska Feminist Encounters: A Journal of Critical Studies in Culture and Politics 4, 2020 | 4 | 2020 |
| Psychoanalysis an the Unrepresentable A Piotrowska, B Tyrer Routledge, 2017 | 4 | 2017 |
| Mourning and melancholia at the Harare International Festival of the Arts A Piotrowska Journal of African Media Studies 6 (1), 111-130, 2014 | 4 | 2014 |
| The horror of a doppelganger in documentary film A Piotrowska New Review of Film and Television Studies 11 (3), 302-313, 2013 | 4 | 2013 |
| Psychoanalysis and ethics in documentary film A Piotrowska Birkbeck, University of London, 2012 | 4 | 2012 |
| Replacement and reparation in Sarah Polley’s Stories we tell A Piotrowska On Replacement: Cultural, Social and Psychological Representations, 231-240, 2018 | 3 | 2018 |
| The sublime and the feminine jouissance: A Fantastic Woman, The Untamed and St Teresa A Piotrowska The Sublime in Everyday Life, 106-121, 2020 | 2 | 2020 |
| Who is the author of Neria (1992) – and is it a Zimbabwean masterpiece or a neo-colonial enterprise? A Piotrowska Journal of Screenwriting 11 (3), 287-302, 2020 | 2 | 2020 |
| Revenge of a Cool Girl A Piotrowska Mai: Feminism & Visual Culture, 2019 | 2 | 2019 |
