| Collective authorship in film CP Sellors The Journal of Aesthetics and Art Criticism 65 (3), 263-271, 2007 | 118 | 2007 |
| Film authorship: Auteurs and other myths CP Sellors | 96 | 2010 |
| The impossibility of science fiction: against Buckland's possible worlds CP Sellors Screen 41 (2), 2000 | 12 | 2000 |
| What in the World Distinguishes Fiction from Nonfiction Film? CP Sellors Film and Philosophy 18, 2014 | 4 | 2014 |
| The Nature of Film Spectators C Paul Sellors Film-Philosophy 4 (1), 2000 | 3 | 2000 |
| Film authorship: history and theory CP Sellors Wallflower, 2009 | 2 | 2009 |
| Collective Authorship in Film, 65 J CP Sellors Aesthetics & Art Criticism 263, 263, 2007 | 2 | 2007 |
| Senso CP Sellors | 2 | 2004 |
| The Impossibility of science fiction CP SELLORS Against Buckland’s possible, 2000 | 2 | 2000 |
| Casual lecturers in UK Universities: a view from/off the edge of Europe CP Sellors Cinema Journal Teaching Dossier 4 (2), 2016 | 1 | 2016 |
| A Realist Account of Fiction CP Sellors Film and Philosophy 10, 51-66, 2006 | 1 | 2006 |
| " Carl Plantinga and Greg M. Smith (eds.), Passionate Views: Film, Cognition, and Emotion"[Book review] CP Sellors Screen 41 (4), 2000 | 1 | 2000 |
| On the Impossibility of" Once Upon a Time..." in Rollerball CP Sellors | 1 | 2000 |
| The Myth of Diegesis CP Sellors | | 2022 |
| Too much drama defining film in UK copyright law CP Sellors Journal of Media Law 12 (2), 191-215, 2020 | | 2020 |
| Film Authorship and Film Copyright in Europe CP Sellors | | 2015 |
| Disharmony in European Film Copyright CP Sellors | | 2015 |
| As We May Think about Film History CP Sellors | | 2015 |
| The Gift of Not Giving: On Pedagogical Parsimony CP Sellors | | 2015 |
| “A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship. CP Sellors | | 2011 |
