| A machine learning approach to musically meaningful homogeneous style classification W Herlands, R Der, Y Greenberg, S Levin Proceedings of the AAAI Conference on Artificial Intelligence 28 (1), 2014 | 22 | 2014 |
| Of beginnings and ends: A corpus-based inquiry into the rise of the recapitulation Y Greenberg Journal of Music Theory 61 (2), 171-200, 2017 | 14 | 2017 |
| Haydn's Early Altered Recapitulations as Evidence of Early Sonata-Form Logic Y Greenberg Music Theory and Analysis (MTA) 5 (2), 168-189, 2018 | 4 | 2018 |
| Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets Y Greenberg Music and Letters 95 (2), 213-250, 2014 | 4 | 2014 |
| Drawn Up out of a Mute Wellspring: The Revival of Paul Ben-Haim’s Early String Quintet (1919) Y Greenberg Min-Ad: Israel Studies in Musicology Online 9, 25-42, 2011 | 4 | 2011 |
| How sonata forms: a bottom-up approach to musical form Y Greenberg Oxford University Press, 2022 | 3 | 2022 |
| Minding a Gap:“Active Transitions” from the Slow Introduction to the Fast Section in Haydn's Symphonies Y Greenberg The Journal of Musicology 29 (3), 292-322, 2012 | 3 | 2012 |
| Computerized performance of Palestrina counterpoint, whose rules are based on natural schemata that express tranquility D Cohen, Y Greenberg Proceedings of the Fifth International Conference on Understanding and …, 2005 | 3 | 2005 |
| ‘Ordo Ab Chao’: The Fugue as Chaos in the early Twentieth Century Y Greenberg Music and Letters 99 (1), 74-103, 2018 | 2 | 2018 |
| Towards Sonata Form: A System-Oriented Approach to the Genesis of Sonata Form Y Greenberg Hebrew University, Jerusalem, 2012 | 2 | 2012 |
| Hearing the Ancient Temple in Early Modern Mantua: Abraham Portaleone and the Cultivation of Music within the Mantuan Jewish Community R Cypess, Y Greenberg The Oxford Handbook of Jewish Music, 0 | 2 | |
| Bach Perspectives, Volume 14: Bach and Mozart: Connections, Patterns, and Pathways E Selfridge-Field, Y Greenberg, NM Heber, M Maul, S Roe, ... University of Illinois Press, 2022 | 1 | 2022 |
| Follow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century O Maliniak, Y Greenberg Music Theory Spectrum 44 (2), 231-259, 2022 | 1 | 2022 |
| Tinkering with Form: On WF Bach's Revisions to Two Keyboard Sonatas Y Greenberg Music Theory and Analysis (MTA) 6 (2), 200-223, 2019 | 1 | 2019 |
| Ben-Haim’s String Quartet, Op. 21: A Programmatic Reading Y Greenberg Min-Ad: Israel Studies in Musicology Online 12, 2015 | 1* | 2015 |
| Hearing the Ancient Temple in Early Modernity: Abraham Portaleone and the Cultivation of Music in Seventeenth-Century Mantua R Cypess, Y Greenberg | | 2023 |
| Precedents for the "Secondary Development" from Bach to Mozart and Their Implications for Understanding Early Sonata Form Y Greenberg Bach Perspectives, Volume 14: Bach and Mozart: Connections, Patterns, and …, 2022 | | 2022 |
| An Early String Quartet Movement by Paul Ben-Haim Y Greenberg Min-Ad: Israel Studies in Musicology Online 18, 2021 | | 2021 |
| Fixing the Horse before the Cart: Reconstructing the Genesis of Classical Forms through Big Data and Computational Methods Y Greenberg, B Kutschke, M Giraud, D Huron | | 2018 |
| These Are Your Gods, Oh Israel: Chosenness in Schoenberg’s Moses und Aron as a Response to Houston Stewart Chamberlain’s Foundations Y Greenberg International Review of the Aesthetics and Sociology of Music 48 (1), 71-99, 2017 | | 2017 |
Simon LevinProfessor of Ecology and Evolutionary Biology, Princeton UniversityVerified email at princeton.edu
