| David Foster Wallace's balancing books: fictions of value J Severs Columbia University Press, 2016 | 78 | 2016 |
| Pynchon's Against the Day: A Corrupted Pilgrim's Guide J Severs, C Leise Lexington Books, 2011 | 28 | 2011 |
| ‘The abstractions she was instructed to embody’: Women, Capitalism, and Artistic Representation in Against the Day J Severs Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide, 215-238, 2011 | 13 | 2011 |
| “Blank as the Faces on Coins”: Currency and Embodied Value(s) in David Foster Wallace’s The Pale King J Severs Critique: Studies in Contemporary Fiction 57 (1), 52-66, 2016 | 9 | 2016 |
| “We’ve been inside what we wanted all along”: David Foster Wallace’s Immanent Structures J Severs Literature and the Encounter with Immanence, 8-29, 2017 | 8 | 2017 |
| Wallace’s Nonfiction J Severs The Cambridge Companion to David Foster Wallace, 111-124, 2018 | 7 | 2018 |
| " Get your map of America": tempering dystopia and learning topography in The Plot Against America J Severs Studies in American Fiction 35 (2), 221-239, 2007 | 6 | 2007 |
| “A City of the Future”: Gravity’s Rainbow and the 1962 Seattle World’s Fair J Severs Twentieth Century Literature 62 (2), 145-169, 2016 | 5 | 2016 |
| David Foster Wallace, James Wood, and a Source for “Irrelevant” Chris Fogle J Severs The Explicator 73 (2), 129-132, 2015 | 5 | 2015 |
| ‘Is it like a beat without a melody?’: Rap and revolution in Hamilton J Severs Studies in Musical Theatre 12 (2), 141-152, 2018 | 4 | 2018 |
| The untold story behind The Executioner's Song: a conversation with Lawrence Schiller. J Severs Mailer Review 1 (1), 2007 | 4 | 2007 |
| In Fascism’s Footprint: The History of “Creeping” and Vineland’s Poetics of Betrayal J Severs Pynchon Notes, 56-57, 2009 | 3 | 2009 |
| Cutting Consciousness Down to Size: David Foster Wallace, Exformation, and the Scale of Encyclopedic Fiction J Severs Scale in Literature and Culture, 281-303, 2017 | 2 | 2017 |
| Collision, Illinois: David Foster Wallace and the Value of Insurance J Severs Modern Fiction Studies 62 (1), 136-156, 2016 | 2 | 2016 |
| “Playing father son and holocaust”: The Imagination of Totalitarian Oppression in the Works of John Edgar Wideman J Severs MELUS: Multi-Ethnic Literature of the United States 41 (1), 72-92, 2016 | 2 | 2016 |
| Capitalism and Class J Severs Thomas Pynchon in Context, 195-202, 0 | 2 | |
| " LISTEN": WALLACE'S SHORT STORY ENDINGS AND THE ART OF FALLING SILENT J Severs The Journal of David Foster Wallace Studies 1 (2), 167-204, 2019 | 1 | 2019 |
| ‘Where all the paperwork’s done’: Pynchon’s critique of contracts J Severs Textual Practice 33 (3), 361-382, 2019 | 1 | 2019 |
| Thomas Pynchon, Sex, and Gender J Backman, S Cook, IH Dalsgaard, S de Bourcier, C Flay, M Franco, ... University of Georgia Press, 2018 | 1 | 2018 |
| " Say Yes": Consent, Marriage, and History in the Drama and Fiction of Suzan-Lori Parks J Severs The Review of Contemporary Fiction 34 (1), 178-195, 2014 | 1 | 2014 |
