| Vibrotactile Feedback-Assisted Performance L Hayes | 38 | 2011 |
| Beyond skill acquisition: Improvisation, interdisciplinarity, and enactive music cognition L Hayes Contemporary music review 38 (5), 446-462, 2019 | 35 | 2019 |
| Imposing a networked vibrotactile communication system for improvisational suggestion L Hayes, C Michalakos Organised Sound 17 (1), 36-44, 2012 | 34 | 2012 |
| Towards an aesthetics of touch L Hayes, J Rajko Proceedings of the 4th International Conference on Movement Computing, 1-8, 2017 | 28 | 2017 |
| Sound, electronics, and music: A radical and hopeful experiment in early music education L Hayes Computer Music Journal 41 (3), 36-49, 2017 | 26 | 2017 |
| Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises L Hayes, A Marquez-Borbon | 20 | 2020 |
| Vibrotactile Stimulation Based on the Fundamental Frequency Can Improve Melodic Contour Identification of Norm al-Hearing Listeners With a 4-Channel Cochlear Implant Simulation. X Luo, L Hayes Front. Neurosci. 13 (1145), 2019 | 20 | 2019 |
| From Site-specific to Site-responsive: Sound art performances as participatory milieu L Hayes Organised Sound 22 (1), 83-92, 2017 | 19 | 2017 |
| Skin music (2012) an audio-haptic composition for ears and body L Hayes Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition …, 2015 | 19 | 2015 |
| Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices L Hayes | 17* | 2015 |
| Haptic augmentation of the hybrid piano L Hayes Contemporary Music Review 32 (5), 499-509, 2013 | 16 | 2013 |
| Performing articulation and expression through a haptic interface L Hayes ICMC, 2012 | 15 | 2012 |
| Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies L Hayes, A Marquez-Borbon Computer Music Journal 44 (2-3), 24-38, 2021 | 10 | 2021 |
| Desert and sonic ecosystems: Incorporating environmental factors within site-responsive sonic art L Hayes, J Stein Applied Sciences 8 (1), 111, 2018 | 10 | 2018 |
| Audio-haptic relationships as compositional and performance strategies LS Hayes The University of Edinburgh, 2014 | 8 | 2014 |
| Investigating Autopoiesis In Site-Responsive Sonic Art L Hayes Interference Journal, 2019 | 4 | 2019 |
| Skin Music: an audio-haptic composition LS Hayes Cycling, 0 | 4 | |
| Live electronic music performance: embodied and enactive approaches L Hayes Proceedings of the 5th International Conference on Movement and Computing, 1-3, 2018 | 3 | 2018 |
| Sound, Electronics and Music: an evaluation of early embodied education L Hayes Proceedings of the 42nd International Computer Music Conference, 388-393, 2016 | 3 | 2016 |
| Exploring Attention through Technologically-Mediated Musical Improvisation: an Enactive-Ecological Perspective L Hayes, JM Loaiza Access and Mediation: Transdisciplinary Perspectives on Attention, 2022 | 2 | 2022 |
Jessica RajkoWayne State UniversityVerified email at wayne.edu
