| The effect of points of view on the readability of short stories F Pourgiv, F Sadighi, MHN Kaloorazi Narrative Inquiry 13 (2), 469-471, 2003 | 14 | 2003 |
| Harold Pinter: The Absurdist-Existentialist Playwright AH ALI, F Pourgiv JOURNAL OF SOCIAL SCIENCES AND HUMANITIES OF SHIRAZ UNIVERSITY 23 (146), 1-10, 2006 | 12 | 2006 |
| Power struggle in the zoo story: A performance of subjectivity P Shams, F Pourgiv Fe Dergi 5 (1), 1-11, 2013 | 11 | 2013 |
| Local Heritage/Global Forces: Hybrid Identities in Le Guin's The Telling. S Jamshidian, F Pourgiv Gema Online Journal of Language Studies 19 (4), 2019 | 8 | 2019 |
| Martha the" Mimos": Femininity, Mimesis and Theatricality in Edward Albee's" Who's Afraid of Virginia Woolf"/Martha la Mimo: Femininidad, Mimesis y Teatralidad en Who's Afraid … M Hoorvash, F Pourgiv Atlantis, 11-25, 2011 | 7 | 2011 |
| Empowerment in A Monster Calls by Patrick Ness F Farnia, F Pourgiv LiBRI. Linguistic and Literary Broad Research and Innovation 6 (2), 41-49, 2017 | 6 | 2017 |
| Construction of gender identities via satire: The case of Juvenal M Zekavat, F Pourgiv The European Journal of Humour Research 3 (1), 1-21, 2015 | 6 | 2015 |
| FORM IS THE ULTIMATE GIFT': SHOWALTER'S LINGUISTIC AND CULTURAL MODEL OF GYNOCRITICISM IN ADRIENNE RICH'S A CHANGE OF WORLD. S Nodeh, F Pourgiv Studia Universitatis Petru Maior-Philologia, 2012 | 5 | 2012 |
| Cultural Memory Studies and the Idea of Literature: A Cosmopolitan Critique SM Mousavi, F Pourgiv, B Hadaegh Journal of Humanistic and Social Studies 9 (1), 61-71, 2018 | 4 | 2018 |
| On the Development of female voice in Adrienne Rich N Soghra, F Pourgiv TÎRGU MUREŞ, 71, 2016 | 4 | 2016 |
| Gender trouble in who's afraid of Virginia Woolf P Shams, F Pourgiv J. Res. Gender Stud. 3, 85, 2013 | 4 | 2013 |
| Failed Quest in Samuel Beckett’s How It Is A Najafi, P Ghasemi, F Pourgiv International Journal of Applied Linguistics and English Literature 1 (6 …, 2012 | 4 | 2012 |
| Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry P Ghasemi, F Pourgiv Women's History Review 19 (5), 759-774, 2010 | 4 | 2010 |
| Tragedy of love and language par excellence: A post-classical and post-modern psychoanalytic reading of Romeo and Juliet P Changizi Studia Universitatis Petru Maior. Philologia, 89-104, 2016 | 3 | 2016 |
| Two Green Poets: A Comparative Ecocritical Study of Sepehri and Emerson BM Fomeshi, F Pourgiv k@ ta 15 (2), 109-116, 2013 | 3 | 2013 |
| James Joyce’s “An Encounter”: From the Perversion of an Escape to the Perversion of the Fatherhood O Ghahreman, F Pourgiv International Journal of Applied Linguistics and English Literature 2 (2 …, 2013 | 3 | 2013 |
| THE THEORY OF EMPOWERMENT IN AHMAD AKBARPOUR’S NOVELS F Farnia, F Pourgiv Children's Literature Studies 4 (17), 113-136, 2013 | 3 | 2013 |
| ONCE UPON A TIME: A FLOATING OPERA JOHN BARTH'S DEATH-DEFYING ART OF WRITING. M Hashemi, F Pourgiv Kritika Kultura, 2012 | 3 | 2012 |
| Eco-phobia in Nora K. Jemisin’s Trilogy The Broken Earth S Haji Mola Hosein, F Pourgiv ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 36 (1), 141-152, 2023 | 2 | 2023 |
| The Catcher in the Rye: Holden vs. Consumer Culture P Ghasemi, F Pourgiv, M GHAFOURI JOURNAL OF TEACHING LANGUAGE SKILLS (JTLS)(JOURNAL OF SOCIAL SCIENCES AND …, 2010 | 2 | 2010 |
Parisa ShamsThe University of Western AustraliaVerified email at uwa.edu.au
