| From Casablanca to Casanegra: Neoliberal globalization and disaffected youth in Moroccan urban cinema J Bahmad Middle East Journal of Culture and Communication 6 (1), 15-35, 2013 | 22 | 2013 |
| Rebels with a cause: youth, globalisation and postcolonial agency in Moroccan cinema J Bahmad The Journal of North African Studies 19 (3), 376-389, 2014 | 17 | 2014 |
| Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives W Higbee, F Martin, J Bahmad Edinburgh University Press, 2020 | 16 | 2020 |
| Casablanca unbound: The new urban cinema in Morocco J Bahmad Francosphères 2 (1), 73-85, 2013 | 14 | 2013 |
| From Slavery to the Screen: Sub-Saharan Migrants in Moroccan History and Cinema J Bahmad Migrants au Maroc. Cosmopolitisme, présence d’étrangers et transformations …, 2016 | 12 | 2016 |
| English Language Teaching in Moroccan Higher Education H Belhiah, I Zeddari, N Amrous, J Bahmad, N Bejjit | 8 | 2020 |
| The challenges and future of the English department in neoliberal Morocco J Bahmad English language teaching in Moroccan higher education, 247-257, 2020 | 6 | 2020 |
| Mapping Moroccan neoliberalism: melodrama and realist aesthetics in the films of Hakim Noury J Bahmad The Journal of North African Studies 21 (1), 108-115, 2016 | 4 | 2016 |
| Between Tangier and Marrakech: A Short History of Moroccan Cinema through Its Festivals J Bahmad Film Festival Yearbook 6, 306-17, 2014 | 4 | 2014 |
| Tinghir-Jerusalem-Tangier: The Jew, the Imam and the Camera in Morocco J Bahmad Africultures, 2013 | 4 | 2013 |
| Casablanca Belongs to Us: Globalisation, Everyday Life and Postcolonial Subjectivity in Moroccan Cinema since the 1990s J Bahmad University of Stirling, 2014 | 3 | 2014 |
| Insurgent citizenship: Youth, political activism and citizen cinema in post-2011 Morocco J Bahmad Journal of African Cinemas 11 (2), 131-140, 2019 | 2 | 2019 |
| Jerusalem Blues: On the Uses of Affect and Silence in Kamal Hachkar’s Tinghir-Jérusalem: Les échos du Mellah (2012) J Bahmad Jewish-Muslim Interactions: Performing Cultures Between North Africa and …, 2020 | 1 | 2020 |
| The Art of Peacebuilding: Transitional Justice and Unfinished Reconciliation in Moroccan Cinema J Bahmad Dialogic Configurations in Post-Colonial Morocco: Rhetorical Conjectures in …, 2019 | 1 | 2019 |
| The good pirates: Moroccan cinema in the age of digital reproduction J Bahmad The State of Post-Cinema: Tracing the Moving Image in the Age of Digital …, 2016 | 1 | 2016 |
| Mainstreaming Homeland Voices: An Annotated Bibliography of Moroccan Amazigh Literature J Bahmad Afrique (s) en mouvement, 73-76, 2023 | | 2023 |
| Words from the Tiger’s Mouth J Bahmad, R Benharrousse Afrique (s) en mouvement, 5-7, 2023 | | 2023 |
| From Page to Stage Epiphanies: Backstage casting of Terrorism, Literature and Cinema in the Novel/Movie Horses of God J Bahmad Afrique (s) en mouvement, 35-39, 2023 | | 2023 |
| Regarding Itto (1934): Revisiting the Berber Myth in French Colonial Cinema J Bahmad La femme dans le cinéma amazighe, 105-118, 2023 | | 2023 |
| Framing Colonial Marrakech in Alfred Hitchcock’s The Man Who Knew Too Much (1956) and Gavin Lambert’s Another Sky (1955) E Benlahoussine, J Bahmad Journal of Applied Language and Culture Studies 6 (1), 54-69, 2023 | | 2023 |
Zeddari IkbalMohammed V University in RabatVerified email at um5.ac.ma
