| Aesthetics of (Black) breathing J Cox, I Jean-François liquid blackness 6 (1), 98-117, 2022 | 2 | 2022 |
| Cecil Taylor’s Posthumanistic Musical Score J Cox American Music Review 50 (Spring 2021), 1-5, 2021 | 2 | 2021 |
| Marshall Allen and the Creation of a New World J Cox Sund American 24 (Sun Ra), 2020 | 2* | 2020 |
| Listening through Webs for/of Creole Improvisation: Weaving Music II as a Case Study J Cox, S Yulsman Critical Studies in Improvisation 14 (2), 1-13, 2021 | 1 | 2021 |
| Stories of the Mothership: Charles Uzor and Mothertongue J Cox Composing While Black, 114-129, 2023 | | 2023 |
| Music For Tomorrow's World J Cox New Music USA, 2022 | | 2022 |
| My History J Cox Solo Saxophone 1, 36-47, 2022 | | 2022 |
| A Conversation on Racism and Computer Music. Complete interview transcription EA Baker, J Cox, J Guidry, YJ Jackson, E Lyon array., 2021 | | 2021 |
| A Conversation on Racism and Computer Music EA Baker, J Cox, J Guidry, YJ Jackson, E Lyon array., 50-63, 2021 | | 2021 |
| Das Drumset als Werkzeug kreolisierter Welten J Cox Positionen: Texte zur aktuellen Music 128 (03), 70-79, 2021 | | 2021 |
| Posthumanistic Organology: Problematizing common organological taxonomies by way of the AACM and the heterogeneous sound ideal J Cox Castle of Our Skins, 2019 | | 2019 |
Isaac Alexandre Jean-FrançoisYale UniversityVerified email at yale.edu
