| BTS as method: a counter-hegemonic culture in the network society JO Kim Media, Culture & Society 43 (6), 1061-1077, 2021 | 52 | 2021 |
| Reshaped, reconnected and redefined: Media portrayals of Korean pop idol fandom J KIM Journal of Fandom Studies 3 (1), 79-93, 2015 | 21 | 2015 |
| Korea’s blacklist scandal: Governmentality, culture, and creativity JO Kim Labour, Policy, and Ideology in East Asian Creative Industries, 7-19, 2020 | 20 | 2020 |
| Intersectionality in quality feminist television: rethinking women’s solidarity in The Handmaid’s Tale and Big Little Lies JO Kim Feminist Media Studies 22 (6), 1463-1477, 2022 | 17 | 2022 |
| Establishing an Imagined SM Town: How Korea's Leading Music Company Has Produced a Global Cultural Phenomenon JO Kim The Journal of Popular Culture 49 (5), 1042-1058, 2016 | 15 | 2016 |
| The Korean Wave as a Localizing Process: Nation as a Global Actor in Cultural Production JO Kim Temple University, 2016 | 15 | 2016 |
| Despite Not Being Johnny’s: The Cultural Impact of TVXQ in the Japanese Music Industry JO Kim K-Pop—The International Rise of the Korean Music Industry, 66-80, 2014 | 15 | 2014 |
| The Korean Wave and the New Global Media Economy JO Kim The Routledge Handbook of Digital Media and Globalization, 77-85, 2021 | 5 | 2021 |
| The locality of plastic bodies: Korean reality TV, celebrity, and bimaxillary surgery JO Kim Continuum: Journal of Media and Cultural Studies 34 (5), 720-732, 2020 | 5 | 2020 |
| The Storyteller Who Crosses Boundaries in Korean Reality Television: Transmedia Storytelling in New Journey to the West. JO Kim International Journal of Communication 13, 2143-2160, 2019 | 4 | 2019 |
| Regionalizing Reality: The Rise of East Asian Collaborations in Television Production JO Kim Willing Collaborators: Foreign Partners in Chinese Media, 155-170, 2018 | 4 | 2018 |
| The unscripted format trade in a new era of the Korean Wave: The Chinese remaking of Korean reality TV J Kim, L Huang The Korean Wave: Evolution, fandom, and transnationality, 209-224, 2017 | 4 | 2017 |
| [Book Review] The rise of K-dramas: Essays on Korean Television and Its Global Consumption | Edited by JaeYoon Park and Ann-Gee Lee JO Kim Pacific Affairs 93 (2), 447-449, 2020 | 2 | 2020 |
| The US adaptation of Korea’s unscripted format in the new Korean Wave Era: A case study of Grandpas Over Flowers DY Jin, JO Kim International Journal of Korean Studies 22 (2), 75-96, 2018 | 2 | 2018 |
| Selling the Past: Korea and China's Nation-Branding to Host Winter Olympic Games. JO Kim China Media Research 12 (2), 23-29, 2016 | 2 | 2016 |
| [Book Review] Hong, S-K. (2023) BTS on the Road (O. Han, Trans). Seoul National University Press. (Original work published 2020) JO Kim Asian Communication Research, https://doi.org/10.20879/acr.2024.2, 2024 | | 2024 |
| The Production of Locality During the Pandemic: Feel the Rhythm of Korea and “Dynamite” JO Kim Television and New Media, 2024 | | 2024 |
| 퀄리티 텔레비전: 한류 담론의 확장 혹은 관점의 전환 김주옥 한국방송학회 학술대회 논문집, 49-51, 2021 | | 2021 |
| Korea’s creative migration to media cities in China JO Kim Transnational Convergence of East Asian Pop Culture, 189-206, 2021 | | 2021 |
| Global Media Organizations DY Jin, JO Kim Oxford Bibliographies in Communication, 2020 | | 2020 |
Dal Yong JinSimon Fraser UniversityVerified email at sfu.ca
