| 2016: A Populist Odyssey: Neoliberalism and Populism in Hell or High Water FO Llarena Revista de Estudios Norteamericanos, 2018 | 3 | 2018 |
| Of Godfathers and Markets: The Politics of (the) American Gangster FO Llarena Atlantis 42 (1), 57-75, 2020 | 1 | 2020 |
| Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist FO Llarena Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 7, 2018 | 1 | 2018 |
| Waitin'on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man FO Llarena Miscelánea: A journal of english and american studies, 101-120, 2018 | 1 | 2018 |
| Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts I González-Díaz, F Orán-Llarena Taylor & Francis, 2023 | | 2023 |
| A Crisis of Confidence: Fracture and Malaise in the US Polity in Dragged Across Concrete FO Llarena Screening the Crisis US Cinema and Social Change in the Wake of the 2008 …, 2022 | | 2022 |
| Masculinities under Neoliberalism in American Film FO Llarena III Simposio Internacional Precarización de la Vida, Violencias y …, 2019 | | 2019 |
| Dragged Across the Interregnum: The Politics and Affects of the Trump Era in S. Craig Zahler's Dragged Across Concrete FO Llarena 43 Conferencia de AEDEAN (Asociación Española de Estudios Anglo-Norteamericanos), 2019 | | 2019 |
| The Purchase of Happiness: Neoliberal Politics in The Pursuit of Happyness [sic] FO Llarena 14th International Conference of the Spanish Association for American …, 2019 | | 2019 |
| Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist F Orán Llarena Universidad de Huelva, 2018 | | 2018 |
| Gendering Failure: Counterhegemonic Narratives of Refusal, Loss, and Transformation FO Llarena 42 Conferencia de AEDEAN (Asociación Española de Estudios Anglo-Norteamericanos), 2018 | | 2018 |
| What Ever Happened to Vito Corleone? Neoliberalism in American Gangster FO Llarena 42 Conferencia de AEDEAN (Asociación Española de Estudios Anglo-Norteamericanos), 2018 | | 2018 |
| The Evicted Crowd: Populist Narratives in American Film after the Crisis of Neoliberalism FO LLarena I International Conference Precarity - Universidad de Córdoba, 2018 | | 2018 |
| 'We the People': Right-wing populism in Law Abiding Citizen and Hell or High Water FO LLarena 41 Conferencia de AEDEAN (Asociación Española de Estudios Anglo-Norteamericanos, 2017 | | 2017 |
| The Construction of 9/11 in American Film: (Geo)Political and Semiotic Signification FO LLarena VI Congreso Internacional de Investigadores Audiovisuales, 1, 2017 | | 2017 |
| Bleed Together, Die Alone: Community and Individuality in American Film after 9/11 F Orán Llarena | | 2016 |
| Ridley Scott’s Dystopia Meets Ronald Reagan’s America: Class Conflict and Political Disclosure in Blade Runner: The Final Cut F Orán Llarena Universidad de La Laguna. Servicio de Publicaciones, 2015 | | 2015 |
| Images and Words: Divulging the Interaction Between Film and Literature FO LLarena Reshaping Publishing in the Twentieth and Twenty-First Century 58, 133-151, 2014 | | 2014 |
| A Historicist Proposal. Blood Simple, Neo-Noir at the End of the American Century F Orán Llarena Universidad de La Laguna. Servicio de Publicaciones, 2012 | | 2012 |
| The Road to Serfdom 1: The (Unhappy) Neoliberal Workplace in The Assistant F Orán-Llarena Unhappy Beginnings, 49-60, 0 | | |
