Uncivilized language and aesthetic exclusion: language, power and film production in Pakistan GS Kirk | 12 | 2016 |
‘A camera from the time of the British’: film technologies and aesthetic exclusion in Pakistani cinema GS Kirk Screen 57 (4), 496-502, 2016 | 9 | 2016 |
Working Class Zombies and Men in Burqas: Temporality, Trauma, and the Specter of Nostalgia in Zibahkhana GS Kirk BioScope: South Asian Screen Studies 5 (2), 141-151, 2014 | 9 | 2014 |
The Books in the Bunker: Global Flows of Meaning and Matter in Academic Assemblages GS Kirk South Asia: Journal of South Asian Studies, 2020 | 5 | 2020 |
Linguistic Landscapes of Cinema in Lahore: From Lakshmi Chowk to the Vogue Towers Super Cinema G Kirk Wide Screen 7 (1), 2018 | 4 | 2018 |
“This is London, not Pakistan!”: Articulations of the Diaspora in Pakistani Punjabi Film GS Kirk South Asian Filmscapes: Transregional Encounters, 197, 2020 | 3* | 2020 |
Karachi weds Lahore: The performance of ethnolinguistic identities in Pakistani TV comedy G Kirk Pragmatics and Society 8 (1), 26-37, 2017 | 3 | 2017 |
Language ideologies and verbal art in Pakistani cinema: the Punjabi baṛhak GS Kirk Proceedings of the 22nd Annual Symposium about Language and Society-Austin, 2014 | 2 | 2014 |
Half-drawn arrows of meaning: a phenomenological approach to ambiguity and semantics in the Urdu Ghazal GS Kirk | 2 | 2011 |
We Who Have Been Killed on Dark Paths: Faiz Ahmad Faiz's Internationalism and World Literature GS Kirk A Companion to World Literature, 1-10, 2020 | | 2020 |
Pakistan Screen Studies: Widening the Frame Z Hamid, GS Kirk Reel Pakistan: A Screen Studies Forum 1 (1), 1-3, 2020 | | 2020 |
The New Pakistani Middle Class. Ammara Maqsood. Cambridge, MA: Harvard University Press, 2017. 208 pp. GS Kirk American Ethnologist 45 (3), 430-431, 2018 | | 2018 |
Filmmaking Practices in Pakistan GS Kirk Cinema and society : film and social change in Pakistan, 329-342, 2016 | | 2016 |