| Unsexed Souls: Natural Philosophy as Transformation in Eliza Haywood's Female Spectator KM Girten Eighteenth-Century Studies, 55-74, 2009 | 29 | 2009 |
| Mingling with matter: tactile microscopy and the philosophic mind in Brobdingnag and beyond KM Girten The Eighteenth Century 54 (4), 497-520, 2013 | 27 | 2013 |
| “Sublime Luxuries” of the Gothic Edifice: Immersive Aesthetics and Kantian Freedom in the Novels of Ann Radcliffe KM Girten Eighteenth-Century Fiction 28 (4), 713-738, 2016 | 18 | 2016 |
| Charlotte Smith's Tactile Poetics KM Girten The Eighteenth Century 54 (2), 215-230, 2013 | 17 | 2013 |
| Trivial Wonders: Fascination with the Negligible in British Literature of the Long Eighteenth Century KM Girten Rutgers University, 2006 | 1 | 2006 |
| University of Nebraska at Omaha KM Girten | 1 | 2000 |
| Marsden, Jean I. Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage. KM Girten The Scriblerian and the Kit-Cats 54 (1-2), 137-140, 2021 | | 2021 |
| Queering the Modest Witness in the Chthulucene: Jeff VanderMeer's Borne (a New Weird Case Study) K Girten The Anthropocene, 159-170, 2021 | | 2021 |
| Anecdotes of Enlightenment: Human Nature from Locke to Wordsworth by James Robert Wood KM Girten Eighteenth-Century Fiction 33 (3), 475-477, 2021 | | 2021 |
| Failures of Feeling: Insensibility and the Novel. KM Girten Modern Philology 117 (4), E270-E275, 2020 | | 2020 |
| Melissa Bailes . Questioning Nature: British Women's Scientific Writing and Literary Originality, 1750–1830. Charlottesville: University of Virginia Press, 2017. Pp … KM Girten Journal of British Studies 57 (2), 365-366, 2018 | | 2018 |
| Women, the Novel, and Natural Philosophy, 1660–1727 by Karen Bloom Gevirtz KM Girten Studies in the Novel 47 (2), 270-271, 2015 | | 2015 |
| Experimental Life: Vitalism in Romantic Science and Literature by Robert Mitchell KM Girten Configurations 22 (3), 415-417, 2014 | | 2014 |
| A Political Biography of Eliza Haywood, by Kathryn R. King KM Girten ABO: Interactive Journal for Women in the Arts, 1640-1830 3 (1), 10, 2013 | | 2013 |
