| Ecotopian spaces: Soundscapes of environmental advocacy and awareness K Galloway Social Alternatives 33 (3), 71-79, 2014 | 17 | 2014 |
| Soundwalking and the Aurality of Stardew Valley: An Ethnography of Listening to and Interacting with Environmental Game Audio K Galloway Music in the Role-Playing Game, 159-178, 2019 | 15 | 2019 |
| The aurality of pipeline politics and listening for nacreous clouds: voicing Indigenous ecological knowledge in Tanya Tagaq's Animism and Retribution K Galloway Popular Music 39 (1), 121-144, 2020 | 13 | 2020 |
| Musicking fan culture and circulating the materiality of taylor Swift musical greeting cards on YouTube K Galloway American Music 38 (2), 240-261, 2020 | 10 | 2020 |
| Curating the aural cultures of the Battery: Soundwalking, auditory tourism and interactive locative media sound art K Galloway Tourist Studies 18 (4), 442-466, 2018 | 9 | 2018 |
| Listening to indigenous knowledge of the land in two contemporary sound art installations K Galloway Feminist Media Histories 6 (2), 176-206, 2020 | 8 | 2020 |
| Roughing it in the woods: Community and emplaced experience in the cultural practice of Patria K Galloway MUSICultures, 2012 | 6 | 2012 |
| Introduction: Music, Sound, and the Aurality of the Environment in the Anthropocene K Galloway Yale Journal of Music & Religion 5 (2), 2, 2019 | 5 | 2019 |
| Pathways And Pilgrimages: The In-Between Spaces in the Patria Cycle 1 K Galloway Intersections 28 (1), 139-150, 2007 | 5 | 2007 |
| Guest Editors' Introduction: Platforms, Labor, and Community in Online Listening K Galloway, KE Goldschmitt, P Harper American Music 38 (2), 125-130, 2020 | 4 | 2020 |
| Listening to and Composing with the Soundscapes of Climate Change K Galloway Resilience: A Journal of the Environmental Humanities 7 (2), 81-105, 2020 | 4 | 2020 |
| Making and learning with environmental sound: maker culture, ecomusicology, and the digital humanities in music history pedagogy K Galloway J. Music Hist. Pedagogy 8, 45-71, 2017 | 4 | 2017 |
| Materiality and aural memory in the Harbour Symphony (St. John’s, Newfoundland) K Galloway Sound Studies 1 (1), 118-143, 2015 | 4 | 2015 |
| Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media K Galloway Twentieth-Century Music 19 (3), 369-392, 2022 | 3 | 2022 |
| On the Ethics of Extraction in Environmental Sound Art K Galloway MUSICultures 49, 111-134, 2022 | 2 | 2022 |
| Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private K Galloway, KE Goldschmitt, PC Harper Twentieth-Century Music 19 (3), 363-368, 2022 | 2 | 2022 |
| The sonic strategies and technologies of listening alone together in The World According to Sound’s Outside In: A Communal Listening Series K Galloway Radio Journal: International Studies in Broadcast & Audio Media 20 (1), 85-103, 2022 | 2 | 2022 |
| Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy K Galloway Teaching Electronic Music, 172-192, 2021 | 2 | 2021 |
| " Unmute" Bread: Listening, Improvising, and Performing with Sourdough in Quarantine K Galloway, R Fuller Critical Studies in Improvisation 14 (2), 1-16, 2021 | 2 | 2021 |
| Remixing the Environment: Climate Change, Rhythm Science, and DJ Spooky’s Digging in the Landscape K Galloway | 2 | 2018 |
