| The Decibel Scoreplayer - A Digital Tool for Reading Graphic Notation C Hope, L Vickery First International Conference on Technologies for Music Notation and …, 2015 | 64 | 2015 |
| The evolution of notational innovations from the mobile score to the screen score L Vickery Organised Sound 17 (2), 128-136, 2012 | 40 | 2012 |
| Screen scores: New media music manuscripts C Hope, L Vickery The International Computer Music Associationd, 2011 | 29 | 2011 |
| The limitations of representing sound and notation on screen L Vickery Organised Sound 19 (3), 215-227, 2014 | 24 | 2014 |
| Visualising the score: Screening scores in realtime performance C Hope, L Vickery Murdoch University, 2011 | 23 | 2011 |
| Mobile Scores and Click-Tracks: Teaching Old Dogs L Vickery Proceedings of the Australasian Computer Music Association, 63-70, 2010 | 18 | 2010 |
| The Yamaha MIBURI MIDI jump suit as a controller for STEIM's Interactive Video software Image/ine LR Vickery Proceedings of the Australian Computer Music Conference, Melbourne …, 2002 | 15 | 2002 |
| Digital adaptions of the scores for Cage Variations I, II and III L Vickery, C Hope, S James International Computer Music Association, 2012 | 14 | 2012 |
| The Evaluation of Nonlinear Musical Structures L Vickery Edith Cowan University, 2011 | 14 | 2011 |
| Some approaches to representing sound with colour and shape L Vickery Proceedings of the 4th International Conference on Technologies for Music …, 2018 | 12 | 2018 |
| Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore. S James, C Hope, L Vickery, A Wyatt, B Carey, X Fu, G Hajdu Tenor 2017 Conference, University of A Coruña., 2017 | 12 | 2017 |
| Exploring a visual/sonic representational continuum L Vickery International Computer Music Conference 2014, 2014 | 10 | 2014 |
| Hybrid Real/Mimetic Sound Works L Vickery Second International Conference on Technologies for Music Notation and …, 2016 | 9 | 2016 |
| The possibilities of novel formal structures through computer controlled live performance L Vickery Australasian Computer Music Association, 2011 | 8 | 2011 |
| Interactive control of higher order musical structures L Vickery Proc. of ACMC 4, 6, 2004 | 8 | 2004 |
| Non-linear structures for real-time interactive musical works L Vickery Proceedings of the Australasian Computer Music Conference (ACMC) 3, 5, 2003 | 8 | 2003 |
| New digital interactions with John Cage's Variations IV, V and VI C Hope, S James, L Vickery Australasian Computer Music Association (ACMC), 2012 | 7 | 2012 |
| The Aesthetics of the Screen-Score C Hope, L Vickery Proceedings of CreateWorld, 48-57, 2010 | 7 | 2010 |
| Rhizomatic approaches to screen-based music notation LR Vickery Griffith University, 2016 | 6 | 2016 |
| Notational Semantics in Music Visualisation and Notation L Vickery Proceedings of the Australian Computer Music Conference 2014, 101-108, 2014 | 6 | 2014 |
