| Federico Fellini: painting in film, painting on film H Aldouby University of Toronto Press, 2013 | 36 | 2013 |
| Haptic aesthetics and bodily properties of ori gersht’s digital art: A behavioral and eye-tracking study M Calbi, H Aldouby, O Gersht, N Langiulli, V Gallese, MA Umiltà Frontiers in Psychology 10, 490645, 2019 | 14 | 2019 |
| Balancing on shifting ground: Migratory aesthetics and recuperation of presence in Ori Gersht’s video installation On Reflection H Aldouby Crossings: Journal of Migration & Culture 10 (2), 161-181, 2019 | 5 | 2019 |
| Ruptured envelopes, double shells: Skins in art in the age of global mobility H Aldouby Art Journal 82 (2), 38-56, 2023 | 4 | 2023 |
| Shifting interfaces: An anthology of presence, empathy, and agency in 21st-century media arts H Aldouby Leuven University Press, 2020 | 4 | 2020 |
| “The physical anxiety of the form itself”: A Haptic Reading of Phil Solomon’s Experimental Films H Aldouby Projections 10 (1), 86-113, 2016 | 4 | 2016 |
| A Jungian Approach to Federico Fellini’s Visual Imagery H Aldouby Harvest-Journal for Jungian Studies 47 (2), 96-118, 2001 | 4 | 2001 |
| Fellini's Visual Style (s) A Phenomenological Account H Aldouby A companion to Federico Fellini, 223-236, 2020 | 3 | 2020 |
| An Outsider in Grand Theft Auto: Phil Solomon H Aldouby Art Journal 79 (2), 76-79, 2020 | 2 | 2020 |
| Painting in Film H Aldouby, F Fellini Painting on Film, Toronto/Buffalo/London, 135, 2013 | 2 | 2013 |
| Viewing images of jagged texture in digital artwork affects body sensations: A virtual reality study. H Aldouby, BS Hasler, T Nadav, D Friedman Psychology of Aesthetics, Creativity, and the Arts, 2022 | 1 | 2022 |
| Fragile Traces, Treacherous Sands: Ronen Sharabani and Micha Ullman’s Intergenerational Encounter H Aldouby Arts 9 (2), 73, 2020 | 1 | 2020 |
| Art and presence: Investigating embodiment in a virtual art gallery H Aldouby Shifting Interfaces: An Anthology of Presence, Agency, and Empathy in Early …, 2020 | 1 | 2020 |
| Tightrope Walking on the Threshold of Virtual Reality: Phil Solomon’s Filmmaking in Grand Theft Auto H Aldouby Borderlines: Essays on Mapping and The Logic of Place, 69, 2018 | 1 | 2018 |
| Courting absence, restoring presence: Ori Gersht and the moving image H Aldouby Ori Gersht: History Reflecting, 78-98, 2014 | 1 | 2014 |
| Love at First Sight: The Vera, Silvia, and Arturo Schwarz Collection of Israeli Art A Schwarz Israel Museum, 2001 | 1 | 2001 |
| Appropriating Canaanism: Ruth Patir’s Reanimation of Judean Pillar Figurines H Aldouby ARTS 11 (Israeli Art), 2022 | | 2022 |
| Appropriating Canaanism: Ruth Patir’s Reanimation of Judean Pillar Figurines. Arts 11: 108 H Aldouby s Note: MDPI stays neutral with regard to jurisdictional claims in published …, 2022 | | 2022 |
| Interview with Phil Solomon P Solomon, H Aldouby Art Journal 79 (2), 80-86, 2020 | | 2020 |
| Art and Presence H Aldouby Shifting Interfaces: An Anthology of Presence, Empathy, and Agency in 21st …, 2020 | | 2020 |
Nunzio LangiulliDepartment of Medicine and Surgery – Unit of Neuroscience, University of Parma, Parma, ItalyVerified email at unipr.it
