| Resilience & melancholy: Pop music, feminism, neoliberalism R James John Hunt Publishing, 2015 | 294 | 2015 |
| The sonic episteme: Acoustic resonance, neoliberalism, and biopolitics R James Duke University Press, 2019 | 152 | 2019 |
| White self-criticality beyond anti-racism: How does it feel to be a White problem? R Aanerud, B Applebaum, A Bailey, S Garner, R James, C Lebens, ... Lexington Books, 2014 | 85 | 2014 |
| Is the post-in post-identity the post-in post-genre? R James Popular Music 36 (1), 21-32, 2017 | 62 | 2017 |
| “Robo‐Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music R James Journal of Popular Music Studies 20 (4), 402-423, 2008 | 60 | 2008 |
| The conjectural body: Gender, race, and the philosophy of music R James | 49 | 2010 |
| Oppression, privilege, & aesthetics: The use of the aesthetic in theories of race, gender, and sexuality, and the role of race, gender, and sexuality in philosophical aesthetics R James Philosophy Compass 8 (2), 101-116, 2013 | 36 | 2013 |
| Neoliberal Noise: Attali, Foucault & the Biopolitics of Uncool R James Culture, Theory and Critique 55 (2), 138-158, 2014 | 25 | 2014 |
| In but not of, of but not in: On Taste, Hipness, and White Embodiment R James Contemporary Aesthetics, 7, 2009 | 20 | 2009 |
| Affective resonance: on the uses and abuses of music in and for philosophy R James PhaenEx 7 (2), 59-95, 2012 | 19 | 2012 |
| Music and Feminism in the 21st Century R James Music Research Annual 1, 1-25, 2020 | 13 | 2020 |
| Resilience and Melancholy: Pop Music R James Feminism, Neoliberalism, 2015 | 13 | 2015 |
| Contort yourself: Music, whiteness, and the politics of disorientation R James White self-criticality beyond anti-racism: How does it feel to be a white …, 2016 | 12 | 2016 |
| On popular music in postcolonial theory R James Philosophia Africana 8 (2), 171-188, 2005 | 12 | 2005 |
| How not to listen to Lemonade: Music criticism and epistemic violence R James Sounding Out 16, 2016 | 11 | 2016 |
| Autonomy, universality, and playing the guitar: On the politics and aesthetics of contemporary feminist deployments of the “Master's Tools” RM James Hypatia 24 (2), 77-100, 2009 | 10 | 2009 |
| Notes On Weheliye’s Habeas Viscus: or why some posthumanisms are better than others R James Posted on November 26, 2014 | 9 | 2014 |
| Incandescence, Melancholy, and Feminist Bad Vibes: A Response to Ziarek’s Feminist Aesthetics and the Politics of Modernism R James differences 25 (2), 116-129, 2014 | 8 | 2014 |
| From “no future” to “delete yourself (you have no chance to win)”: Death, queerness, and the sound of neoliberalism R James Journal of Popular Music Studies 25 (4), 504-536, 2013 | 8 | 2013 |
| Race and the feminized popular in nietzsche and beyond R James Hypatia 28 (4), 749-766, 2013 | 7 | 2013 |
