| Measuring creativity: an account of natural and artificial creativity C Moruzzi European Journal for Philosophy of Science 11 (1), 1, 2021 | 34 | 2021 |
| Every performance is a stage: musical stage theory as a novel account for the ontology of musical works C Moruzzi Journal of Aesthetics and Art Criticism 7 (3), 341-351, 2018 | 34 | 2018 |
| Creative AI: Music composition programs as an extension of the composer’s mind C Moruzzi Philosophy and theory of artificial intelligence 2017, 69-72, 2018 | 20 | 2018 |
| Artificial Creativity and General Intelligence C Moruzzi Journal of Science and Technology in the Arts 12 (3), 84-99, 2020 | 15 | 2020 |
| Should Human Artists Fear AI? A Report on the Perception of Creative AI C Moruzzi Proceedings of xCoAx2020, 170-185, 2020 | 15 | 2020 |
| Learning Through Creativity: How Creativity Can Help Machine Learning Achieving Deeper Un-derstanding C Moruzzi Rivista Italiana di Filosofia del Linguaggio 14 (2), 2020 | 7 | 2020 |
| Which biases and reasoning pitfalls do explanations trigger? Decomposing communication processes in human–AI interaction M El-Assady, C Moruzzi IEEE Computer Graphics and Applications 42 (6), 11-23, 2022 | 6 | 2022 |
| An ontological justification for contextual authenticity C Moruzzi The British Journal of Aesthetics 59 (4), 413-427, 2019 | 5 | 2019 |
| The (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of Creativity. C Moruzzi ICCC, 78-86, 2022 | 4 | 2022 |
| Alla ricerca della creatività: le GAN come paradigma dell'autonomia nel software per la composizione musicale C Moruzzi | 4 | 2020 |
| Creative agents: rethinking agency and creativity in human and artificial systems C Moruzzi Journal of Aesthetics and Phenomenology 9 (2), 245-268, 2022 | 3 | 2022 |
| Climbing the ladder: How agents reach counterfactual thinking C Moruzzi Proceedings of the 14th International Conference on Agents and Artificial …, 2022 | 3 | 2022 |
| Improvisation as creative performance C Moruzzi The Routledge Handbook of Philosophy and Improvisation in the Arts, 47-59, 2021 | 3 | 2021 |
| Everyone can change a musical work C Moruzzi British Journal of Aesthetics, 2021 | 3 | 2021 |
| Perceptions of Creativity in Artistic and Scientific Processes C Moruzzi | 2 | 2022 |
| Prediction: An algorithmic principle meeting neuroscience and machine learning halfway Y Bouhadjar, C Moruzzi, M Payvand Proceedings of the 3rd Human-Like Computing Workshop (HLC 2022) 3227, 46-52, 2022 | 2 | 2022 |
| The Assumptions behind Musical Stage Theory: A Reply to Letts: Discussion C Moruzzi The Journal of Aesthetics and Art Criticism 78 (3), 362-366, 2020 | 2 | 2020 |
| Can a Computer Create a Musical Work: Creativity and Autonomy of AI Software for Music Composition C Moruzzi The Age of Artificial Intelligence: An Exploration, 161-176, 2020 | 2 | 2020 |
| Exploring embodiment’s role in creativity with live artistic performances C Moruzzi, L Herman Proceedings of the Workshop on the Role of Embodiment in the Perception of …, 2022 | 1 | 2022 |
| Ai-generated music: creativity and autonomy C Moruzzi 2019 Convention of the Society for the Study of Artificial Intelligence and …, 2019 | 1 | 2019 |
Mennatallah El-AssadyETH Zürich, AI CenterVerified email at ethz.ch
