| Myth, telos, identity: the tragic schema in Greek and Shakespearean drama I Nyusztay Rodopi, 2002 | 14 | 2002 |
| The Merry Sufferer: Authentic Being in Samuel Beckett's Happy Days Nyusztay Philosophy and Literature 42 (1), 112-125, 2018 | 3 | 2018 |
| Az önazonosság alakváltozásai az abszurd drámában: Samuel Beckett, Harold Pinter és Tom Stoppard N Iván L'Harmattan, 2010 | 3 | 2010 |
| Infinite Responsibility and the Third in Emmanuel Levinas and Harold Pinter I Nyusztay Literature and theology 29 (2), 153-165, 2015 | 1 | 2015 |
| The" Piece of Work" And The" Quintessence Of Dust": The Elevation and Depreciation of Man in The Renaissance I Nyusztay Hungarian Journal of English and American Studies (HJEAS) 11 (1), 133-150, 2005 | 1 | 2005 |
| The Faces of the Other: Configurations of Alterity in Emmanuel Levinas and Harold Pinter I Nyusztay The AnaChronisT 8, 250–263-250–263, 2002 | 1 | 2002 |
| Selves Lost and Regained: Retrospective vs. Prospective Quests for Identity in Samuel Beckett’s Krapp’s Last Tape I Nyusztay Literature and its Language: Philosophical Aspects, 127-145, 2022 | | 2022 |
| Az undor és a részvét Samuel Beckett kései darabjaiban I Nyusztay nCOGNITO-Kognitív Kultúraelméleti Közlemények 1 (2), 46-59, 2022 | | 2022 |
| Shakespeare’s Momentary Lapses of Reason: The Paradox and the Absurd I Nyusztay The AnaChronisT 18 (2), 430–441-430–441, 2018 | | 2018 |
| The Experiment of Rebelling in Beckett: The Impact of Camus and Havel I Nyusztay Polish Journal of English Studies 4 (2), 25-39, 2018 | | 2018 |
| Shakespeare’s Momentary Lapses of Reason I Nyusztay | | 2018 |
| Az önazonosság konfigurációi az abszurd színházban és a modern tragikomédiában= Configurations of Identity in the Theatre of the Absurd and Modern Tragicomedy I Nyusztay OTKA Kutatási Jelentések| OTKA Research Reports, 2010 | | 2010 |
| Character and Identity I Nyusztay Myth, Telos, Identity, 63-79, 2002 | | 2002 |
| Forms of Inaction: Speech Acts I Nyusztay Myth, Telos, Identity, 150-170, 2002 | | 2002 |
| Modes of the Tragic in Shakespearean Drama I Nyusztay Myth, Telos, Identity, 43-62, 2002 | | 2002 |
| From Character to Self I Nyusztay Myth, Telos, Identity, 104-128, 2002 | | 2002 |
| The Faces of the Other I Nyusztay | | 2002 |
| Forms of Action and Passivity I Nyusztay Myth, Telos, Identity, 129-149, 2002 | | 2002 |
| On the Threshold of the Tragic: The Teleological Foundations of Greek and Shakespearean Tragedy I Nyusztay Myth, Telos, Identity, 80-103, 2002 | | 2002 |
| History Aside in Richard the Third: Mimesis or Poiesis? I Nyusztay Myth, Telos, Identity, 175-183, 2002 | | 2002 |
