| Logic of Experimentation: Reshaping music performance in and through artistic research P De Assis Leuven University Press, 2018 | 137 | 2018 |
| Notational perspective and comprovisation S Bhagwati, P de Assis, W Brooks, K Coessens Sound & score. Essays on sound, score and notation, 165-177, 2013 | 36 | 2013 |
| Artistic Research in Music: Discipline and Resistance: Artists and Reseachers at the Orpheus Institute J Impett, T Beghin, P De Assis Leuven University Press, 2018 | 34 | 2018 |
| Experimental affinities in music P De Assis Leuven University Press, 2015 | 34 | 2015 |
| Transpositions: Aesthetico-epistemic operators in artistic research M Schwab | 30 | 2018 |
| Epistemic complexity and experimental systems in music performance P De Assis Artistic Experimentation in Music, An Anthology, 41-54, 2015 | 29 | 2015 |
| Virtual Works—Actual Things P De Assis Virtual Works Actual Things, 19, 2018 | 24 | 2018 |
| Gilbert Simondon’s ‘Transduction’as Radical Immanence in Performance P De Assis Performance Philosophy 3 (3), 695-717, 2017 | 24 | 2017 |
| The Dark Precursor: Deleuze and Artistic Research P De Assis, E Campbell, P Giudici The Dark Precursor, 1-576, 2018 | 17 | 2018 |
| Luigi Nonos Wende P De Assis Wolke, 2006 | 11 | 2006 |
| Artistic Research: Charting a Field in Expansion P De Assis, L D'Errico Rowman & Littlefield Publishers, 2019 | 10 | 2019 |
| Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research P de Assis, M Schwab Leuven University Press, 2019 | 10 | 2019 |
| Beyond Urtext: a dynamic conception of musical editing P De Assis Dynamics of Constraints: Essays on Notation, Editing, and Performance, 7-18, 2009 | 10 | 2009 |
| From Territories to Transformations: Anton Webern’s Piano Variations Op. 27 as a Case Study for Research in-and-through Musical Practice D Crispin, P de Assis, W Brooks, K Coessens Sound and score: Essays on sound, score and notation, 47-60, 2013 | 9 | 2013 |
| „Rasch24—The Somatheme.“ P De Assis Discipline and Resistance: Artists and Researchers at the Orpheus Institute …, 2017 | 7 | 2017 |
| Revisiting Luigi Nono’s Suffered, Serene Waves P de Assis Artistic Experimentation in Music: An Anthology, 203, 2014 | 6 | 2014 |
| The conditions of creation and the haecceity of music material P de Assis | 6 | 2012 |
| The conditions of creation and the haecceity of the music material: Philosophical-aesthetic convergences between Helmut Lachenmann and Gilles Deleuze P De Assis Filigrane 13, 1-17, 2013 | 5 | 2013 |
| Transduction and ensembles of transducers: Relaying flows of intensities P De Assis Transpositions, 245, 2018 | 4 | 2018 |
| Aberrant Nuptials: Deleuze and Artistic Research 2 P Giudici, P De Assis Aberrant Nuptials, 1-482, 2019 | 3 | 2019 |
Juan Parra CancinoResearch Fellow, Orpheus Institute, Ghent, BelgiumVerified email at orpheusinstituut.be
