| Sustainability of indigenous folk tales, music and cultural heritage through innovation CSC Chan Journal of Cultural Heritage Management and Sustainable Development 8 (3 …, 2018 | 22 | 2018 |
| Heterogeneity in the musical acquisition of Orang Asli children from the Mah Meri and Semai groups CCS Ching Malaysian Journal of Music 1 (2), 1-18, 2012 | 21 | 2012 |
| P. Ramlee’s Music: An expression of local identity in Malaya during the mid-twentieth century CCS Ching Malaysian Journal of Music 1 (1), 16-32, 2012 | 17 | 2012 |
| Application of Ivan Galamian principles for violin learning through Malaysian folk tunes M Musaeva, CCS Ching, C Augustine International Journal of Academic Research in Business and Social Sciences 7 …, 2017 | 12 | 2017 |
| Standardizing and Exoticizing the" Main Jo'oh": The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia CSC Chan Asian Music, 89-126, 2015 | 11 | 2015 |
| Advocating contemporary traditional indigenous Semai music through an exploration of youth interest CSC Chan, ZL Saidon International Journal of Academic Research in Business and Social Sciences 7 …, 2017 | 10 | 2017 |
| Preliminary exploration of a Semai musician’s transmission of indigenous musical traditions in peninsular Malaysia CCS Ching, V Ross Pertanika J. Soc. Sci. Humanit 23, 20, 2015 | 10 | 2015 |
| Mah Meri onstage: negotiating national policies, tourism and modernization in Kampung Sungai Bumbun, Carey Island, Malaysia CSC Chan [Honolulu]:[University of Hawaii at Manoa],[December 2010], 2010 | 9 | 2010 |
| Song text composition in Pinloin among the indigenous Jahai of Peninsular Malaysia: a local postmodernist approach? SC Clare Malaysian Journal of Music 5 (2), 70-95, 2016 | 8 | 2016 |
| Beyond Rhythm: Exploring Infinite Possibilities in Music, Movement and Choreography-Hands Percussion Malaysia CCS Ching Malaysian Journal of Music 2 (2), 104-117, 2013 | 8 | 2013 |
| SA//ING AND MACHINING PRO PERTIES M Khairui, A Khairul, XY Teng, TC Wong, CS Chan | 5 | 2011 |
| Enabling FAIR use of Ethnomusicology Data–Through Distributed Repositories, Linked Data and Music Information Retrieval A Hofmann, T Miksa, P Knees, A Bakos, H Salam, A Ahmedaja, ... Empirical Musicology Review 16 (1), 47-64, 2021 | 4 | 2021 |
| Hands Percussion of Malaysia: Performing Cosmopolitanism Built on Shared Philosophy and Artistic Values in Global Musical Alliances. CSC Chan Wacana Seni Journal of Arts Discourse 18, 2019 | 4 | 2019 |
| 24 Jie ling gu (Gendang 24 musim): Perhubungan muzik dan koreografi dengan 24 jie qi dalam Kalendar Pertanian Cina CSC Chan | 3* | 1924 |
| Songs of ecology, community, and indigenous values: The Mah Meri of Carey Island, Malaysia CSC Chan Universiti Malaya Press, 2023 | 2 | 2023 |
| Performing the Cultural Identities of Contemporary Guqin Performers in Shijiazhuang, China QH Wen, CSC Chan Performing Arts Conference: Trending Digital, Virtual and Capital, 38, 2022 | 2 | 2022 |
| Advocating for The Sustainability of Semai Indigenous Music Through The Collaborative Creation of New Traditional Music: A Participatory Action Research (PAR) Methodology CSC Chan, ZL Saidon Harmonia: Journal of Arts Research and Education 21 (1), 9-22, 2021 | 2 | 2021 |
| Songs and music of the indigenous Semai of Malaysia CSC Chan, ZL Saidon Independently published, 2019 | 2 | 2019 |
| Hegemony and agency in staged Mah Meri Indigenous music and dance performances for tourists in Malaysia CCS Ching Jati-Journal of Southeast Asian Studies 23 (1), 132-155, 2018 | 2 | 2018 |
| 24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia CSC Chan Harmonia: Journal of Arts Research and Education 22 (2), 213-226, 2022 | 1 | 2022 |
Prof Valerie RossCIMaCC, University of CambridgeVerified email at cam.ac.uk
