| What the forest told me: Yoruba hunter, culture and narrative performance A Adeduntan African Books Collective, 2019 | 16 | 2019 |
| Yoruba imaginary in the ecocinema of Tunde Kelani A Adeduntan Green Letters 22 (3), 288-300, 2018 | 8 | 2018 |
| Mouth with which the king curses: abuse and departicularization of the enemy in King Sunny Ade's Jùjú music A Adeduntan Research in African Literatures 47 (4), 171-187, 2016 | 8 | 2016 |
| Rhyme, reason, rogue: Yoruba popular music and the hip hop amoral turn A Adeduntan Journal of Popular Music Studies 34 (1), 44-67, 2022 | 6 | 2022 |
| Truth, nothing but the performative truth: Yoruba radio review of English newspapers A Adeduntan Journalism Studies 19 (12), 1712-1729, 2018 | 6 | 2018 |
| Calling àjẹ́ witch in order to hang her: Patriarchal definition and redefinition of female power. A Adeduntan Global African Spirituality, Social Capital and Self-reliance in Africa, 2008 | 5* | 2008 |
| Road Called Vagina: African Womanist Detours of Túndé Kèlání's The Narrow Path A Adeduntan Journal of African Cultural Studies 32 (4), 400-414, 2020 | 3 | 2020 |
| Cheques or dating scams? Online fraud themes in hip-hop songs across popular music apps S Lazarus, O Olaigbe, A Adeduntan, ET Dibiana, GU Okolorie Journal of Economic Criminology 2, 100033, 2023 | 2 | 2023 |
| Striving with the gods: The Figurine and the double-bind of realism and the supernatural A Adeduntan Auteuring Nollywood: critical perspectives on The Figurine, 2014 | 2 | 2014 |
| Yoruba Hunter and the “Sin” of Narrative Performance AK Adeduntan Text and Performance Quarterly 30 (2), 103-121, 2010 | 1 | 2010 |
| Fracture and suture: ecological visions of Fágúnwà and Soyinka A Adeduntan African Identities 21 (1), 99-112, 2023 | | 2023 |
| Digitising an African Studies Audiovisual Archive: Moves, Setbacks, Lessons A Adeduntan African Research and Documentation 139, 2021 | | 2021 |
| Praise, Anti-Praise and the Limits of Memory: Critical Reflections on Toyin Falola’s Adulation1 A Adeduntan Sawsan Malla Hussein, Ph. D. and Brahim Barhoun, Ph. D., 21, 2020 | | 2020 |
| Mimetic monitors: the political and the playful in selected memes on a Nigerian online forum A Adeduntan, D Dike Beyond fun: media, entertainment, politics and development in Nigeria, 2019 | | 2019 |
| Celebrating D.O. Fagunwa: aspects of African and world literary history (Review) A Adeduntan Journal of communication and language arts 9 (1), 2018 | | 2018 |
| The city state of Ibadan: texts and contexts (Review) A Adeduntan Journal of black and African arts and civilzation 6 (1), 2018 | | 2018 |
| Icon of terror, icon of laughter: pictorial representation of fear and anxiety in selected Nigerian newspapers A Akande, A Adeduntan Journal of black and African arts and civlization 6 (1), 2018 | | 2018 |
| Let us make woman in our image: preliminary notes on beauty and its industry in Nigeria A Adeduntan, F Olawoye Literary and linguistic perspectives on orality, literacy and gender studies, 2018 | | 2018 |
| Ritual, art and/or physics? seven rare wooden oro bullroarers in the collection of the institute of african studies, University of Ibadan, Nigeria OI Pogoson, A Adeduntan, A Akande | | 2016 |
| Rams and the man: war, culture and mimesis in animal sports A Adeduntan The city state of Ibadan: texts and contexts, 2015 | | 2015 |
