| Textual transgressions and consuming the self in the fiction of Helen Oyeyemi and Chimamanda Ngozi Adichie AH Satkunananthan Hecate 37 (2), 41-69, 2011 | 17 | 2011 |
| Sang kancil as cultural artefact: A comparative neo-archetypal study CQW Kheong, AH Satkunananthan, SI Hamdan GEMA Online Journal of Language Studies 19 (4), 2019 | 7 | 2019 |
| The Baby’s Not for Burning: The Abject in Sarah Kane’s Blasted and Helen Oyeyemi’s Juniper’s Whitening AH Satkunananthan 3L, Language, Linguistics, Literature 21 (2), 2015 | 6 | 2015 |
| Transnational Hauntings, Hungry Ghosts: Malaysian Chinese Domestic Gothic Fiction AH Satkunananthan SARE: Southeast Asian Review of English 57 (1), 37-54, 2020 | 4 | 2020 |
| Otherworlds, Doubles, Houses: Helen Oyeyemi’s The Opposite House and White Is for Witching AH Satkunananthan GEMA Online Journal of Language Studies 18 (4), 2018 | 4 | 2018 |
| Pedagogical Aspects of EcoGothic Elements in Ruskin Bond's Novellas. P Jain, AH Satkunananthan GEMA Online Journal of Language Studies 21 (4), 2021 | 3 | 2021 |
| Haunts and Specters in Chimamanda Ngozi Adichie's Biafran (Re)visitations AH Satkunananthan 3L: The Southeast Asian Journal of English Language Studies 24 (4), 185-198, 2018 | 3* | 2018 |
| Unravelling the Family-based Haunted House Film Patterns in Malaysian and American Haunted House Films AM Yusof, RS Hashim, N Yusof, AH Satkunananthan 3L, Language, Linguistics, Literature 23 (4), 2017 | 3 | 2017 |
| Alienation and Intersectionality in Adrienne Kennedy’s Funnyhouse of a Negro LI Jabboury, RS Hashim, A Harris VOL. 24 (S) FEB. 2016, 119, 2016 | 3 | 2016 |
| The Figure of the Nenek Kebayan and the Witch in Selected Haunted House Films AM Yusof, AH Satkunananthan, RS Hashim, NLM Rosli 3L, Language, Linguistics, Literature 26 (4), 2020 | 2 | 2020 |
| Identity Experiments in Two Female Photographers of Yemeni Women Eksperimen Identiti dalam Karya Fotografi oleh Dua Jurugambar Wanita Yemeni S Bokir, RS Hashim, AH Satkunananthan, E Olmedo Akademika 90 (3), 3-13, 2020 | 2 | 2020 |
| Penelitian “Strategi Seram” Dalam Filem Rumah Berhantu Malaysia Dan Amerika AMB Yusof, RS Hashim, NMD YUSOF, AH Satkunananthan Jurnal Melayu, 18 (1), 58 73, 2017 | 2 | 2017 |
| The Monsters in the Margins: Intersectionality in Oyeyemi’s Works AH Satkunananthan "Telling It Slant": Critical Approaches to Helen Oyeyemi, 2017 | 2 | 2017 |
| Manglish Cyborgs: Paranoia, Optimism and the Cultural Evolution of Cyberpunk AH Satkunananthan Evolution in Language Studies, 222-238, 2016 | 2 | 2016 |
| Mise en Abyme and Katabasis: Helen Oyeyemi's and Tanith Lee's Reimaginings of “Snow White” AH Satkunananthan Marvels & Tales 34 (2), 180-196, 2020 | 1 | 2020 |
| Monsters at the End of Time: Alternate Hierarchies and Ecological Disasters in Alaya Dawn Johnson’s Spirit Binders Novels AH Satkunananthan Kritika Kultura 33, 524-538, 2019 | 1 | 2019 |
| Representations of HP Lovecraft’s Dagon in the DMC Franchise AMB Yusof, AH Satkunananthan, R Hashim School of Language Studies and Linguistics (SoLLs), 30-39, 2015 | 1 | 2015 |
| Bukit Chapalang: The Mousedeer in the Formation of a Nation. CQ Wai Kheong, AH Satkunananthan e-BANGI Journal 20 (4), 2023 | | 2023 |
| Plantationocene Systems and Communal Disruptions in NK Jemisin's Broken Earth Trilogy: An Ecogothic Perspective. AH SATKUNANANTHAN 3L: Southeast Asian Journal of English Language Studies 28 (3), 2022 | | 2022 |
| The Other Side of Redwall: Medieval Othering and Binary Oppositions in The Outcast of Redwall. C QUAH WAI KHEONG, AH SATKUNANANTHAN, R VENGADASAMY 3L: Southeast Asian Journal of English Language Studies 27 (4), 2021 | | 2021 |
Ruzy Suliza HashimUniversity of Economics and Human Sciences at Warsaw, PolandVerified email at vizja.pl
