| Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019) W TW, J Lopez- Mugica, B MS Animation, 2021 | 16 | 2021 |
| An Analysis of Cultural Dissemination and National Image Construction in Chinese Influencer Li Ziqi’s Vlogs and its Impact on International Viewer Perceptions on YouTube … T Whyke, ZT Chen, J Lopez-Mugica The Journal of Chinese Sociology, 2022 | 9 | 2022 |
| The face of the nonhuman: Human-animal encounters in Pu Songling’s Liaozhai Zhiyi TW Whyke, MS Brown society & animals 1 (aop), 1-18, 2020 | 9 | 2020 |
| Male homosexuality and foxes in Ji Yun’s Zhiguai collection tales of the thatched cottage TW Whyke Fudan Journal of the Humanities and Social Sciences 13 (3), 357-374, 2020 | 9 | 2020 |
| Becoming-Perverse: Queering Sworn Brotherhood in the Non/Human Realm of Songzhuxuan’s Hailiwa and Daokousu TW Whyke, MS Brown Journal of Homosexuality, 2021 | 8 | 2021 |
| Becoming-Woman in Pu Songling’s Strange Tales TW Whyke, Z Yu Journal of chinese humanities 6 (1), 92-113, 2020 | 8 | 2020 |
| Content and discourse analysis of cruelty towards stray dogs as presented in Chinese social media TW Whyke, J López-Múgica society & animals 31 (2), 139-158, 2020 | 7 | 2020 |
| Understanding the Russian invasion of Ukraine through a gendered prism YZA Peng, TW Whyke, SI Zhang Feminist Media Studies, 2022 | 5 | 2022 |
| Double consciousness of Chinese modernity: in the cosmopolitan ruins of Shanghai J Lopez-Mugica, TW Whyke Fudan Journal of the Humanities and Social Sciences 15 (3), 411-435, 2022 | 5 | 2022 |
| Manufacturing and Commodifying “Chineseness”: Micro-Celebrity Li Ziqi's Construction of an Idyllic Rural China and Her Media Representation on YouTube ZT Chen, TW Whyke China's International Communication and Relationship Building, 150-164, 2022 | 5 | 2022 |
| Calling for a Hero: The Displacement of the Nezha Archetypal Image from Chinese Animated Film Nezha Naohai (1979) to New Gods: Nezha Reborn (2021) TW Whyke, JM Lopez Fudan Journal of the Humanities and Social Science, 1-21, 2021 | 5 | 2021 |
| The Rite of Passage and Digital Mourning in Fang Fang's Wuhan Diary TW Whyke, J Lopez-Mugica, TZ Chen Global Media and China, 2021 | 5 | 2021 |
| Re-animating Chinese Myths: Mythology and/as Mythologies in Contemporary Chinese Animation TW Whyke, MS Brown Chinese Film in the Twenty-First Century, 114-135, 2023 | 3 | 2023 |
| Discourses of heteronormativity and power: the ethical position of Confucianism on same-sex behaviour in China TW Whyke Journal of Homosexuality 70 (9), 1787-1806, 2023 | 2 | 2023 |
| Love, Friendship, Fraternity, and Sexual Pleasure Between Men in Pu Songling’s Qing Dynasty Tale Huang Jiulang (c. 1740) TW Whyke, JL Mugica Sexuality & Culture 26 (3), 974-993, 2022 | 2 | 2022 |
| The interplay between digital platforms and user-generated content in reinterpreting and recreating mythological narratives with traditional Chinese cultural elements: the … A Wang, TW Whyke, L Dean Creative Industries Journal, 1-22, 2023 | 1 | 2023 |
| Alternating States: Queerying Non/Binary Gender in Qing Dynasty Zhiguai TW Whyke, MS Brown Queering Gender, Sexuality, and Becoming-Human in Qing Dynasty Zhiguai …, 2023 | 1 | 2023 |
| From countryside to cyberspace: The cruel optimism of live streaming for China's rural gay men TW Whyke, Z Wang, L Dean, AY Peng Sexuality and Culture, 2023 | 1 | 2023 |
| Queering Gender, Sexuality, and Becoming-Human in Qing Dynasty Zhiguai: Querying the Strange Tales TW Whyke, M Shani Brown | 1 | 2023 |
| Scripted resonance or lost in translation?: Storytelling and Chinese reception of Everything Everywhere All at Once A Wang, TW Whyke, J Lopez-Mugica Journal of Screenwriting, 2024 | | 2024 |
